The last week is a blur, in part because while this was what we did on Friday, the 23rd of October:


That was just outside the ob/gyn office, where we’d just been told the baby had to come out by the due date… which was November 1st, incidentally. He must have been listening, since the little guy decided to show up a week early, on the evening of the 25th of October: noeul pics-31 As one friend noted, he’s already giving people the side-eye.

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Modern Day Vaudeville

I‘ve been trying to stay off Facebook, but somehow this has just gotten me started answering questions on Quora. Frying pan, fire, right?

The funny thing is, sometimes I’ll answer a really stupid question there, just because it gets me thinking about things in a new way. And then I realized something about my whole long-ago post on popular music as a hybrid performance art, rather than a musical genre:

The whole popular music paradigm is, in some sense, just the modern-day form of vaudeville. Popular music (a term I use for basically all the stuff North Americans think of as “music”—rock, pop country, hip-hop, showtunes, lounge, and even a fair amount of vocal jazz—is essentially repackaged vaudeville, and indeed, rock music concerts are basically just repackaged vaudeville shows. There’s nothing new about them. It’s a cultural tradition that goes back into the 1800s in recognizable form, and the changes essentially entered the form at precisely the moment when American youth began to seek, en masse, alternate “brands” beyond their given ethnic or regional identity, with which to identify themselves… alternate groups to which to belong and along whose lines they could model their identity, self-presentation, attitude, and style.

Of course it’s vaudeville, just as vaudeville is a remixing of older forms of hybrid performance. (Such hybrid performance genres have anyway been around as long we’ve been recording history, really.)

Anyway, for those who are curious how I arrived there, it was a snarky question about Eddie Vedder:

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