Well, Miss Jiwaku just surprised me with the trailer a few days ago (when we were booking tickets for Cowboys and Aliens; the trailer was for what appears to be a Korean SF sex-comedy to be released toward the end of this month: Apparently, a guy steps...
Read more →The other day, I posted my thoughts on the newly-released Korean film 블라인드 (Blind). I thought I’d follow up with some thoughts on the depiction of physically handicapped people, for anyone who’d like to be reminded of the lessons of which I was reminded by the films missteps. A lot of this is not just...
Read more →I’ve already posted my thoughts on the film in general, and some notes on representing disability in fictional narratives, but one more thing struck me that was off-putting about the narrative. It’s mildly spoilery, so for the picky, I’m putting it in the extended section of this post.
Read more →Miss Jiwaku and I saw the new Korean film Blind tonight (the title is the same in Korean: 블라인드), and I have to say, as long as you don’t know anything about blind people, it’s a pretty good film — a tightly plotted thriller with a shadowy bad guy and a surprisingly sympathetic pair...
Read more →After the debacle that is 7광구, which I discussed here, I figured I might write up a few suggestions for Korean film companies considering undertaking an SF project. After all, I’m someone who has studied Korean SF films carefully, picked out their pitfalls and how and why they failed — either domestically, or internationally...
Read more →If you want the short version of my reaction: skip this movie, pretend it was never made, save yourself some money and some disappointment — that is, if you have a half a brain and actually like SF. Sector 7 is shot amateurishly, it is badly acted by almost the whole cast — and...
Read more →I’ve read things by Fritz Leiber that I adore — both Conjure Wife and, more vehemently for me, Our Lady of Darkness are important ones — but The Big Time simply did not work for me. I like the idea of the Change War — familiar though it is — and the notion of cutting...
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