Another thing that’s exceptionally well-done is the treatment of the culture… the underground P.I. culture, the local culture, the world of the cops, all of it. There’s a lot that the reader has to simply pull out of implication, and that’s really cool. I’m working at making my own writing more like that, the sort of thing where you immerse readers in a sometimes-shocking and deeply alienating world, instead of explaining about it. That’s something that happens in the best SF all the time… you see it in Bruce Sterling (especially in his stunning Holy Fire) and John Brunner (Stand on Zanzibar being only one fine example) and Maureen McHugh (well, in her China Mountain Zhang, on the basis of which I am willing to declare her an amazing writer) and so many other writers. Well, and here it is happening in a potboiler. Land sakes. I understand now why so many people advise young writers to read everything.