- Lizard in a Zoot Suit by Marco Finnegan
- Samurai Cat in the Real World by Mark E. Rogers
- Jack Vance’s The Face (Demon Princes, Book 4)
- Jack Vance’s The Book of Dreams (Demon Princes, Book 5)
- Mouse Guard: Legends of the Guard, Vol. 1, by Various Artists
- Mouse Guard: Legends of the Guard, Vol. 2, by Various Artists
- Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salesses and The Anti-Racist Workshop: How to Decolonize the Creative Classroom by Felicia Rose Chavez
- Mouse Guard: Legends of the Guard, Vol. 3, by Various Artists
- Wanderhome, by Jay Dragon
- Elements of Fiction, by Walter Mosley
- Hidden Folk, by Eleanor Arnason
- The Wages of Whiteness (Revised Edition) by David R. Roediger
- The Katurran Odyssey by David Michael Wieger, illustrated by Terryl Whitlatch
- Dragons (Time Life Enchanted World)
- May We Borrow Your Husband? and Other Comedies of the Sexual Life by Graham Greene
- Winter Studies and Summer Rambles in Canada by Anna Brownell Jameson
- The Cursed Chateau by James Maliszewski, illustrated by Jez Gordon
- Stolen Focus: Why You Can’t Pay Attention—And How to Think Deeply Again by Johann Hari
- Dinotopia: A Land Apart From Time by James Gurney
- Mouse Guard: Baldwin the Brave And Other Tales by David Petersen… and a song!
- Mouse Guard: The Owlhen Caregiver and Other Tales by David Petersen
- Thieves’ World edited by Robert Lynn Asprin
- My Friend Dahmer by Derf Backderf
- Fish F*ckers by Kelvin Green
- Saga Volume 1 by Brian K Vaughan and Fiona Staples
- Scourge of the Scornlords: Meatlandia Book III by Ahimsa Kerp and Wind Lothamer
- Love is the Law by Nick Mamatas
- Harvest for Hope: A Guide to Mindful Eating by Jane Goodall
- The Graveyard Book Graphic Novel by Neil Gaiman and P. Craig Russell
- Sirenswail by Dave Mitchell
- Roman Britain by David Shotter
- Saga, Volume 2 by Brian Vaughan and Fiona Staples
- Menace Under Marswood by Sterling Lanier
- The Best We Could Do: An Illustrated Memoir by Thi Bui
- Muse Sick: a music manifesto in fifty-nine notes by Ian Brennan
- Backwoods Witchcraft: Conjure& Folk Magic From Appalachia by Jake Richards
- Dictionary of the Khazars: A Lexicon Novel by Milorad Pavić, translated by Christina Pribićević-Zorić
- Modern Jazz Voicings: Arranging for Small and Medium Ensembles by Ted Pease and Ken Pullig
- Mammoths of the Great Plains by Eleanor Arnason
- The Home Brewer’s Guide to Vintage Beer by Ron Pattison
- The Planetbreaker’s Son by Nick Mamatas
- The Collected Works of Billy the Kid: Left Handed Poems by Michael Ondaatje
- Good Talk: A Memoir in Conversations by Mira Jacob
- The Sword of Samurai Cat by Mark E. Rogers
- Calvin & Hobbes by Bill Watterson
- Vermilion by Molly Tanzer
- The Punch Line by Zzarchov Kowolski
- Embassytown by China Miéville
- Adult Children of Emotionally Immature Parents by Lindsay C. Gibson
- Gyo (Deluxe Edition) by Junji Ito
- Saga, Vols. 2–3, by Brian K. Vaughan and Fiona Staples
- Cursed Bunny by Bora Chung, translated by Anton Hur
- Smashed and Tomie by Junji Ito
- Uzumaki by Junji Ito
- The Paper Menagerie and Other Stories by Ken Liu
- Dissolving Classroom by Junji Ito
As with other posts in this series, these #booksread2022 posts go anywhere from a few weeks to a month after I’ve read them. I read this particular book sometime in April, so… quite a while ago!
The Owlhen Caregiver and Other Tales is a single-issue comic from last summer that collects Petersen’s last few Free Comic Book Day stories from the Mouse Guard series, along with the title story, which is new. All three are in the same vein as the tales collected in Baldwin the Brave and Other Stories: two of the three offer glimpses of various stories that shaped the lives of main characters in the original Mouse Guard series, little fables focused on a single moral or ethical idea or principle.
Petersen has really perfected this approach: each tale is a study in pacing, revelation, and economy, and the way he draws the tales (as opposed to their narrative framing sections) is really drives home the emotional tone of each story. The title story hits hardest. It tells the story of an owl hen who has a lone mouse warrior in her service who has cared for her all her life. That mouse warrior falls ill, and the owl nurses him through his illness; when she realizes he’ll never recover, she keeps going, even though everyone keeps nagging her to just get a new mouse warrior, or leave him in the wilderness alone to die. But she ignores them and nurses him until he dies in peace in his bed.
The frame story is a child mouse asking whether papa is ever going to get better, and mama explaining no, but he still needs us to take care of him so he can die in peace and dignity and love. Which… I think was my son’s first time to realize that parents die. Which would be enough on its own, and I love how compassion constantly comes up in the Mouse Guard books (when they’re not fighting for their survival), but…
The unspoken frame story mentioned nowhere in the comic (though Petersen mentions it in the afterword) is that the tale was inspired by the author’s seeing a friend become a parent’s primary caregiver; he writes a bit about how he later became his own mother’s primary caregiver during her long, terminal convalescence, but didn’t feel ready to draw it until after she’d passed away. The story hit me pretty hard, but in a good way: it’s an unexpected example of really powerful life-writing, in just a few pages.
The other tales are really great too: “Piper the Listener” is about a mouse who takes the time to learn the languages of other beasts—including beasts most mice would dread to approach—and learns that communication and understanding are possible, even if they may take immense patience at times. “The Wild Wolf,” on the other hand, is an homage to Prokofiev’s Peter and the Wolf and deals with the virtues of caution (and the peril and painful loss that too often comes with too little of caution). It’s a lesson that feels especially timely now, with everything going on.
One of the things that really grabbed me about these is how Petersen manages to depict children and childhood in such an honest way. The “youngfurs” in all of these tales (and/or their frame stories) absolutely convey (and Petersen’s art captures) really difficult emotions in their complexity, but at the same time in a way that seems very authentic to the raw, honest manner in which real kids naturally process those feelings. The sorrow of bereavement, the pain of childhood loneliness, and the stubbornly brave—if foolish—defiance of the youngster who ignores wise advice from and elder all come through vividly, in just a few lines and a bit of subtle coloring… from the faces of cartoon mice, no less. Not that this comes as a surprise, having now read the entire series myself… but I still sometimes pause and realize what he’s managed, and find it remarkable all over again.
The other thing that I appreciate is how Petersen has continued to grow and explore new approaches to telling stories. The art in this issue is quite distinct from what he’s done before, in a positive way that serves the storytelling. Some of the sample art widely available online is indicative of this:
If you haven’t read any Mouse Guard, I don’t know if this is the best introduction to the series, but I think it is a moving and effective one. (That said, I’d pair it with Baldwin the Brave and Other Stories (which I discussed in my last post), since the tales here are in the same manner as those others.) You won’t get the references to the characters in the main story, or how—following Petersen’s thesis—the tales we’re told as children shape the adults we become. Still, these tales are enjoyable on their own, and you’ll enjoy them again, in a different way, if you return to them after reading the rest of the series.
Bonus: Petersen has made paper figurines available for many Mouse Guard characters, free for download. A lot of Petersen’s work is available via his webstore, including shirts, prints, books, and more.