Technique and Politics in Hard SF

In his famous Harper’s piece,“Perchance to
Dream: Reasons to Write Novels in an Age of Images”, the now oft-discussed
Jonathan Franzen articulates his personal motivation for writing literature
in an age where the most powerful media is not print but image-based technology
like TV and film. He starts out the description of a retreat from the world
— a world that his persona in the essay feels has gone mad. He writes:
“I began to think that the most reasonable thing for a citizen to
do might be to enter a monastery and pray for humanity.” This, from
a man who describes his connections with the outside world as “the
twin portals of my TV set and my New York Times subscription.” He
decants nightmares of a Silicon Valley VR-helmet plague, and derides rampant
multiculturalism…

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The Big Sleep

These days, since my novel has taken the turn into somehow morphing into a kind of futuristic potboiler, I’ve taken it upon myself to read some mystery novels. During a trip to Seoul I managed to pick up an old, abused hardcover copy of Raymond Chandler’s The Big Sleep. I’m precisely halfway through it and in awe of the plotting and style. The story is just getting more and more convoluted and I’m finding it harder and harder to put down. Another thing that’s exceptionally well-done is the treatment of the culture… the underground P.I. culture, the local culture, the …

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