Cox & Forkum

I linked to this in a previous post, but I think it’s worth highlighting by itself anyway… actually, I find their politics repugnant at times, but at other times I can’t help but think they’re not completely wrong… here’s a blog of political cartoons by Cox & Forkum.

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Article on Life In Canada, Plus Nasty Thoughts on (Many, But Thankfully Not All) Canadians in Korea

Once, in a little diner in Iksan, I sat listening with deep amusement as two very enlightened fellows I know, an American and an Australian, bitched about Canadians. They were, of course, fairly justified. They were, I should clarify, complaining generally about a certain kind of Canadian who ends up as an expatriate in Korea. It’s a fairly true stereotype, I find, with myself as one of the exceptions. The other day, the same American friend was asking me why the hell the Canadians around him never bloody well pronounce Korean words properly, but insist on saying them as if …

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New Sophistry

Here’s a link to an article I wrote for the New Sophists’ Almanac, titled Rap and the Ghetto. I don’t know much about rap, mind you, but then again it’s primarily an attempt at a parallel with jazz history, and a bit of blabbing about what art is and how we may or may not define “maturity” in an art form. Or something. Go read it.

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Child Witches? I Say Again, A War Is Coming.

As I read this report from the Chicago Tribune on children in Angola tortured as witches, I can’t help but feel my blood boil. It’s another case where I think war would be far more justified than in the places where it is happening. Helena Kufumana makes a pathetic witch. Far from exuding wickedness, the 13-year-old schoolgirl is nervous and shy. Her “101 Dalmatians” cartoon T-shirt is grubby and doesn’t fit. She swings her bare feet beneath her chair in the hyper way that all kids do. And she cries a lot. Especially about the torture. Last month Helena was …

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Musings On The Smiths

I think the most beautiful lyric on The Smiths’ Singles collection is in “This Charming Man”, the line, “I would go out tonight, but I haven’t got a stitch to wear… This man said, “It’s gruesome that someone so handsome should care.” There’s something really desolate in the line, something very Oscar Wilde, something horribly crunched-up inside, something a bit like Tori Amos but less insincere somehow than most of her work… and yet with the same weird feeling that in singing pain, one triumphs over it. With Tori, though, it feels like a therapy session; with Morrissey it feels …

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