Meanwhile, in the Woodshed…

So, for a while there I had a lot going on and wasn’t making it to the practice room, but the place where my son takes piano lessons offered a discount: ₩50,000 a month for family members to use the practice room if there’s a student enrolled with lessons at the music center. That’s way more affordable than the practice rooms used to be, and it takes a lot of the pressure to practice every day (which I felt when access was more expensive), so we jumped at it as soon as I felt up to it, which as it …

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Practice Log, 4 September–6 October 2024

This entry is part 16 of 18 in the series 2024 Practice Log

As usual for the start of semester, I got busy and wasn’t able to practice as much as I’d like in September. Hell, I didn’t even do up the altissimo charts I’d been planning to make, though I hope to get those done during the midterm break in a few weeks. (I’d like to have printed charts to practice from, honestly.) Mostly I played tenor and soprano, followed a little by alto. My bari’s been languishing. My practice sessions often have consisted of either Ferling or Klosé etudes—favoring the latter—followed by a tone study on one or another folk tune …

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Practice Log, 8 August–3 September 2024

This entry is part 16 of 18 in the series 2024 Practice Log

Practice continues apace, or maybe just a little heavier than before. My soprano sax got a basic tune-up last week and it plays a lot better than it was. It was previously a struggle to play, but now any problems that exist are down to my own chops and breath support. For that reason, while I was concentrating on tenor for most of August, I’ve been playing almost exclusively on soprano the last week or so.   I’m still working up personalized altissimo charts, with my Teal book all marked up in terms of what works for alto. (Tenor’s next, then …

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Practice Log, 1-7 August 2024

This entry is part 15 of 18 in the series 2024 Practice Log

Although I started getting physiotherapy for my back problem, I’ve still managed to be quite consistent with practicing over the past week, though I had to miss a couple of days—one due to my wife’s schedule, and another due to inability to book the practice room when I was available.  I’ve continued with the Ferling studies and also working my way through the altissimo fingerings in the Larry Teal. I should be doing a couple of altissimo fingering charts for myself soon, one for alto and one for tenor. (I haven’t started working on that on my bari yet.) When …

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Practice Log, 22-31 July 2024

This entry is part 14 of 18 in the series 2024 Practice Log

Last week, practice was a bit of a mess. I had trouble booking the room on a couple of days—the practice space I use has been getting busy!—and I also caught a cold, which usually occasions time off practice for me.  On the days I did practice, I spent time on tunes as usual, but also on some Ferling Studies (yes, really!). I still am not sold on the idea I need to get these perfect, but they have some handy fingering exercises and challenges in them, even if they’re not really my kind of thing to play. It’s wild …

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Sopranoed! WX5ed! Fluted! But… Argh!

UPDATE (27 March 2014): Hold on! Looks like my students were wrong, and there is one sax tech somewhere in Saigon. Problem is, I’ll have to track him down myself: I went to the music shop my student mentioned to see if they had something that could remove the stuck swab, and they told me that, no, they can’t, but there’s a saxophone repairman in District 10 who can do it. They called him and he confirmed that he could. The catch? They tried to tell me I couldn’t go there myself, I had entrust the horn to their care. …

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All Blues

Another week, another tune. This one’s a classic, and strictly speaking, it’s actually just a blues in concert G. But I was trying to capture some of the original Miles Davis version. (On which all the solos kill me, though I used to focus on the Coltrane; lately, I’ve reached a new appreciation of just how badass Cannonball Adderley was–that’s the first sax solo, for those who are curious.) These days, I’m trying to get better at walking the line between “inside” and “outside”: the more traditional, “tonal” sounding playing that I’ve been working on since picking up the horn …

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How High The Ornithology, or, The Contrafact

Well, I was slowed down a little by a crazy ear infection, but I’m back. Here’s my take on two tunes, which are actually kinda-sorta one tune: “How High the Moon” (1940) by Nancy Hamilton (lyrics) & Norman Lewis (music) “Ornithology” (1945) by Charlie Parker & Benny Harris My take on this pair of tunes is flawed: I had to slow the backing track to make it playable with both tunes, my attempt at Bird’s famous Ornithology solo is haphazard, and the sound quality is something I’m not happy with… but I still feel like I have achieved something, compared …

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WWSRD? (What Would Sonny Rollins Do?)

The title of this post is a question every tenor saxophonist asks himself or herself at some point, and I think it belongs on a T-shirt. I’d buy a few of them for myself, to be sure! Anyway, what led me to come up with this expression is that my homework this week in my Jazz Improvisation course at Coursera involved recording the head (the pre-existing melody) and one chorus of (imporvised) solo on Keith Jarrett’s tune, “Memories of Tomorrow.” I actually have a relationship with this tune going back to high school: my saxophone teacher at the time, Mike …

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Coursera Jazz Improv Class, Week 2 Homework

It’s probably silly of me to start with a caveat, but: this weeks’ homework could have been easy if I’d let it be. It’s basically playing six scales or modes, then improvising freely on them. This is the kind of thing I do for warm-ups every day, no particularly challenging in itself, even if some of the scales and modes are ones I haven’t practiced in a decade or two. But I believe that creative people grow by pushing their boundaries, so I decided that if I was going to do the assignment, I’d do it in a way that …

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