This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind — how to write Ezra Pound as a figure in a novel in which modernist artists, poets, and musicians secretly waged an occult war in the earlier half of the 20th century. Or maybe about artists, musicians, and poets waging a secret, occult war in some other world vaguely like ours, in a time period …

This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind — how to write Ezra Pound as a figure in a novel in which modernist artists, poets, and musicians secretly waged an occult war in the earlier half of the 20th century. Or maybe about artists, musicians, and poets waging a secret, occult war in some other world vaguely like ours, in a time period …

This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, one by one (so far — I may deal with a few at a time on occasion) a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind — how to write Ezra Pound as a figure in a novel in which modernist artists, poets, and musicians secretly waged an occult war in the earlier half of the 20th century. If you’d like to know more …