This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in this series. This post continues my work on the “Chinese” Cantos, covering Canto LV, but may also interest people more interested in SF, fantasy, and so on. It includes a discussion of some pulp and weird authors contemporaneous to Pound, such as Robert Howard (specifically Conan) and Tolkien and H.P. Lovecraft. The puzzle, here, is a question: What does Pound’s Chinese Cantos have in …
Tag: literary analysis
Blogging Pound’s The Cantos: Canto LIV
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in this series. This post continues my work on the “Chinese” Cantos, covering Canto LIV.
Blogging Pound’s The Cantos: Canto LIII
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in this series. This post continues my work on the “Chinese” Cantos, covering Canto LIII.
Blogging Pound’s The Cantos: Canto LII
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. This post begins my work on the “Chinese” Cantos, starting with Canto LII.
Blogging Pound’s The Cantos: Canto LI
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. This post ends off my discussion of The Fifth Decad of Cantos (also sometimes called the “Leopoldine” Cantos) by specifically dealing with Canto LI, the final Leopoldine Canto.