I posted about the book on Julian the Apostate that I was reading back in November, but never got around to posting how the rest of the book went. I’ll pore over what I read this year (less than I’d hoped) once it’s next year, and just highlight some of the fun from Julian for the moment…
The first truly great masterpiece to demonstrate the possibilities available when working with oil paint, so they say, was the van Eyck brothers’ Altarpiece of Ghent. (The elder brother, Hubert, apparently did the general design, and his brother Jan painted it after the brother’s death.) I ran across a reference during my studies of the history of Belgium, and found it interesting, though it is (at present) very unlikely to turn up in my novel. A little research turned up a few worthwhile links, though: Here’s an NPR piece on it (supposedly) being the most stolen artwork in history, and …
I’m currently bouncing back and forth between two major writing projects that are so different that they really do serve as a break from one another: the language of each is quite distinct, the characters and their trajectories rather different, and so it works for me, right now, to switch from one project to the other when I start to run out of steam on whichever one I’m currently working on. At the moment, I’m working is about alchemy and conspiracy, a story that begins at the height of the Gin Craze; that is, a time period I used to …