Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters by David Hockney

This entry is part 11 of 23 in the series 2023 Reads

Like all the posts in my 2023 reads list, this comes at a lag, meaning I read this a while ago. More recently than usual, though. This was something I got access to through work.  The idea of “secret knowledge” has an allure that sells itself, so much so that I had to be cautious as I read this book not to be seduced by that idea, to allow Hockney’s arguments and reasoning to work rather than to be taken as proof without examination. Of course, I’m so unfamiliar with the history of visual art that in the end, I …

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Mr. Turner

It’s rare I see a film as full of human ugliness as Mr. Turner, and rarer still when it’s a biopic. It’s also rare to see a film as beautiful as Mr. Turner… and rarer still when it’s a biopic. But most of all, it’s rare to see a film as astute about history—inaccuracies and all— as Mr. Turner. The title character—a representation of J.M.W. Turner—is, on a personal level, a monster almost half of the time: he uses his maid as a sperm receptacle, he stomps on people when he disagrees with them, he is ugly and weird, and when he …

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On Listening

This entry is part 6 of 7 in the series What We Talk About When We Talk About Music

A little over a year ago, someone posted this question on Quora: Why does John Coltrane’s music sound like someone just erratically blowing on a sax sometimes? The short version of my answer, I suppose, could be this: Except with the word “LISTEN” underlined and circled in red pen. But here’s the longer answer that I actually posted:

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The Altarpiece of Ghent

The first truly great masterpiece to demonstrate the possibilities available when working with oil paint, so they say, was the van Eyck brothers’ Altarpiece of Ghent. (The elder brother, Hubert, apparently did the general design, and his brother Jan painted it after the brother’s death.) I ran across a reference during my studies of the history of Belgium, and found it interesting, though it is (at present) very unlikely to turn up in my novel. A little research turned up a few worthwhile links, though: Here’s an NPR piece on it (supposedly) being the most stolen artwork in history, and …

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One Coin, Two Sides: An Addendum

By the way, in case it sounds like I was only talking about other people in yesterday’s post, I wasn’t. Even in the specific subject of writing for kids, I’m as guilty as anyone, though of course I end up crusading against the madness of Kitty Farmer, and in league with the likes of Ms. Pomeroy: Here’s some proof: A couple of years ago I collaborated with a colleague of mine (Haeyoung Kim) on a series of educational books titled Reading Street. (I posted about the books when they first came out, here.) One of the artists who contributed to the …

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Line by Line

So, after years away from it (though I used to be not bad) I am teaching myself to sketch, draw, and ink images again. Inking’s new to me, so I decided to start with that. But of course, I figure,it’s a digital era, and Wacom tablets aren’t so expensive now… why not do it on my computer? So I got myself a nice little (not super-expensive) tablet and started off. I’ve got a set going on Flickr, not that there’s much point in going an looking there now. But I think this picture isn’t too bad: And no, I didn’t …

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A Serving of Links

A sampling of what I’ve been digging into lately. Books: Remember Choose Your Own Adventure books? Remember how those Fighting Fantasy books by Steve Jackson & Ian Livingstone added die rolls and character information to that paradigm? Now imagine reading one and not having to flip from one page to another. Imagine one that takes advantage of all the possibilities of ebooks. Is this new version of Dave Morris’ classic Heart of Ice what you imagined?  (I haven’t read it yet, but it’s getting rave reviews, and I plan on checking it out.) R.H. Kanakia presents: a Taxonomy of Readers. I’m …

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What I Learned From the Edward S. Curtis Showing at the Sejong Center

So, look. I’m, like, bright enough to know that colonization sucks. It’s bad. It can be (and has been) a force for great evil and pain in the lives of untold millions. But the way we talk about this, and think about this, can be a strange thing. Last night, Miss Jiwaku and I went to see a display of Edward Curtis photographs. If you don’t know who Curtis is, well, he was a photographer who made a compendium of images of Native Americans living in what he called a “primitive” state — that is, those who has not yet …

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As Promised: Gorgeous Renaissance Music

The other night, I was saying how the world is so full of beautiful things that one could hardly spare the time to be interested in all of them. (It was really my over-stated reason for not having managed to read any of Kelly Link’s stories yet; the real reason is just there are too many books, and SF pushes my buttons more than fantasy, even good fantasy.) I made some comment on how Renaissance music is utterly beautiful but almost nobody listens to it, and ended up promising to play some for the people who were over at my …

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On Engineered Obsolescence in Music Today

This afternoon, a music professor from my university took a few of us out for lunch. I was invited along because I’d edited the biographical info for her new CD’s liner notes; the other two professors had translated the lyrics of some English-language songs on the CD to Korean for the liner notes, and coordinated the whole process. Anyway, she took us out for lunch at this amazing little place in Bucheon, the name of which I will have to get. The food was all made with special herbs and leaves and plants grown in places like Kangwon Province and …

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