Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters by David Hockney

This entry is part 11 of 23 in the series 2023 Reads

Like all the posts in my 2023 reads list, this comes at a lag, meaning I read this a while ago. More recently than usual, though. This was something I got access to through work.  The idea of “secret knowledge” has an allure that sells itself, so much so that I had to be cautious as I read this book not to be seduced by that idea, to allow Hockney’s arguments and reasoning to work rather than to be taken as proof without examination. Of course, I’m so unfamiliar with the history of visual art that in the end, I …

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Mr. Turner

It’s rare I see a film as full of human ugliness as Mr. Turner, and rarer still when it’s a biopic. It’s also rare to see a film as beautiful as Mr. Turner… and rarer still when it’s a biopic. But most of all, it’s rare to see a film as astute about history—inaccuracies and all— as Mr. Turner. The title character—a representation of J.M.W. Turner—is, on a personal level, a monster almost half of the time: he uses his maid as a sperm receptacle, he stomps on people when he disagrees with them, he is ugly and weird, and when he …

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On Listening

This entry is part 6 of 7 in the series What We Talk About When We Talk About Music

A little over a year ago, someone posted this question on Quora: Why does John Coltrane’s music sound like someone just erratically blowing on a sax sometimes? The short version of my answer, I suppose, could be this: Except with the word “LISTEN” underlined and circled in red pen. But here’s the longer answer that I actually posted:

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The Altarpiece of Ghent

The first truly great masterpiece to demonstrate the possibilities available when working with oil paint, so they say, was the van Eyck brothers’ Altarpiece of Ghent. (The elder brother, Hubert, apparently did the general design, and his brother Jan painted it after the brother’s death.) I ran across a reference during my studies of the history of Belgium, and found it interesting, though it is (at present) very unlikely to turn up in my novel. A little research turned up a few worthwhile links, though: Here’s an NPR piece on it (supposedly) being the most stolen artwork in history, and …

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One Coin, Two Sides: An Addendum

By the way, in case it sounds like I was only talking about other people in yesterday’s post, I wasn’t. Even in the specific subject of writing for kids, I’m as guilty as anyone, though of course I end up crusading against the madness of Kitty Farmer, and in league with the likes of Ms. Pomeroy: Here’s some proof: A couple of years ago I collaborated with a colleague of mine (Haeyoung Kim) on a series of educational books titled Reading Street. (I posted about the books when they first came out, here.) One of the artists who contributed to the …

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