A little over a year ago, someone posted this question on Quora: Why does John Coltrane’s music sound like someone just erratically blowing on a sax sometimes? The short version of my answer, I suppose, could be this: Except with the word “LISTEN” underlined and circled in red pen. But here’s the longer answer that I actually posted:
Tag: SERIES: WHAT WE TALK ABOUT WHEN WE TALK ABOUT MUSIC
What We Talk About When We Talk About Music: Part 5 — What I Listen to When I Listen to Popular Music
This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. In Part 3 of this series, I insisted that I actually do consume some of what everyone surely agrees is “popular music” by my definition of it–a hybrid form of performance art incorporating not just music but other performing arts, from theater and narrative storytelling and verse to fashion, makeup, dance, and more hyperreal narrative arts that are relatively new to the world, such as video and internet presence-management. But I also insisted that …
What We Talk About When We Talk About Music: Part 4 — Music and Identity
This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. When my family moved from Nova Scotia to Saskatchewan, I had a pretty hard time of it. Understatement of my life, but it’ll do. The move began a long period of having the shit kicked out of me, and then struggling to find a way to fit into a youth culture I didn’t really understand. I was almost certainly dealing with PTSD from all the violence; I was definitely emotionally a mess; I was …
What We Talk About When We Talk About Music: Part 3 — Hybridity
This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. Last time, in Part 2 of this series, I talked about “ear training” and the skills that are required by certain kinds of music if one is to listen to them competently–the requirement of a degree of work, a degree of slogging up a learning curve to grasp those kinds of music. The parallel for my overarching analogy of those mostly eat TV dinners and junk food on the one hand, and the self-described …
What We Talk About When We Talk About Music: Part 2 — Ear Training
This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. Right, so last time, I drew a parallel between my view of music in the modern industrialized world, and the way “foodies” think of food in that same setting: namely, as something that has been essentially debased for expediency of production by large corporations, in the name of profit. But I’m sure those who aren’t feeling deeply insulted by this still have some sort of question in their minds about what it is I …