Tallow, The Baltic Trade and Filthy, Shadowy Georgian London

I was surprised, a while back, to discover that all isinglass in Georgian England was imported from the Baltic. But wouldn’t know you, that’s where they got tallow, too. Tallow, of course, was used to make cheap candles and soap. In the Georgian Era, tallow candles were the ones that got everyday use, while wax were fancy-pants stuff you lit up when you got guests and visitors: in other words, wax candles were the Georgian Era’s version of domestic bling-bling, which, well: given that you stood a good chance of being robbed if you actually wore jewelry around, made sense: it …

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Baude Cordier, Pando, and The Lifecycle of Radical Music

The composition on the left is “Belle, bonne, sage,” composed by Baude Cordier, a musician who fell into the “Ars subtilior” school — that is, the “more subtle” school of music, which flourished briefly right around the end of the 14th century, in southern France and Northern Spain: you’ll see some sources call that “late medieval” and others “early Renaissance,” though I think of it as the former in most terms… but in music, it’s kind of a toss-up, or rather, at that time and place, music straddles the divide between the Middle Ages and the Renaissance. The comparative (“more subtle”) refers to the Ars …

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Phadaeng Nang Ai, Translated by Wajuppa Tossa

I came to Wajuppa Tossa’s translation of Phadaeng Nang Ai via Bryan Thao Worra’s Demonstra (discussed here, more info here–and it’s even discounted right now, and $7 is a steal!), where it’s mentioned in passing (in an appendix, I think). What got me curious about it (after I looked it up) was the impression I got that it’s basically an epic about a love triangle involving humans and nagas. Not that Worra’s book was my introduction to nagas, of course. AD&D, Indian movies,  and travel in Southeast Asia had previously exposed me to various versions of nagas, from these: … to this film that the inimitable Ritu Chaudhry showed me during …

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Hidden Treasures…

Having just finished Jim Baker’s The Cunning Man’s Handbook (which I discussed earlier here, and mentioned in passing here: it’s a big book, so I’d been reading it for a while now) I can say that big chunks of history suddenly make a lot more sense to me. For one thing, the constant fascination with hidden treasure. Basically, a lot of people seemed to think of the world as if it were some kind of Monty Haul D&D campaign: at least in the English speaking world, the idea that there were hidden caches of treasure everywhere was bizarrely common, to the point where treasure hunting was a significant part of …

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