As with other posts in this series, these #booksread2022 posts get published with some lag. I’m trying to be more punctual, though, and this one’s very recent. I’ve had the audiobook for Embassytown in my Audible account for quite a long time now, but I’ve been off audiobooks for quite a long time. These days, I’ve driving more than I used to, so I’ve had the chance to listen to a few. I’m not sure this is the best medium for the novel—it has a lot of neologisms, and I didn’t catch the implied meaning of a few of them—but …
Tag: China Mieville
“… the somewhat lumpen kind of pseudo-magical realism that mainstream writers… tend to write when they want to extrapolate to make political points…”
Mainstream writers don’t trust their readers to make connections. Sf understands that the human mind is an intrinsically metaphorizing machine, and that therefore you do not have to labor the connections to make your point. That’s why Suzy McKee Charnas’s work or Le Guin’s better novels are better and more intelligent and persuasive about women’s oppression than, say, The Handmaid’s Tale [1985]. The polemics and satire in Perdido Street Station don’t undermine the secondary world I create, I hope. China Mieville said that in an interview in 2003, so please, before you get out the pointy sticks, don’t blame me. …