This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, one by one (so far — I may deal with a few at a time on occasion). They are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind — how to write Ezra Pound as a figure in a novel in which modernist artists, poets, and musicians secretly waged an occult war in the earlier half of the 20th century. If you’d like to know more about the project, I …

This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, one by one (so far — I may deal with a few at a time on occasion). They are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind — how to write Ezra Pound as a figure in a novel in which modernist artists, poets, and musicians secretly waged an occult war in the earlier half of the 20th century. If you’d like to know more about the project, I …

For those who don’t know, I’m writing a series of posts about Ezra Pound’s massive book-length poem The Cantos as I work my way through the poems. If you scroll down to the bottom of this post, there will be a menu where you can go back to the beginning of this series. Well, then: having worked our way through the official, final versions of Cantos I-III, it seems it’s time to go have a look at the “Ur-Cantos.”

For those who don’t know, I’m writing a series of posts about Ezra Pound’s massive book-length poem The Cantos as I work my way through the poems. My readings, designed to help me write a novel featuring Pound as an occult adventurer (more on that here), will stray from the merely academic to the unusual and highly fanciful, so take all this with a grain of salt! If you scroll down to the bottom of this post, there will be a menu where you can go back to the beginning of this series. Today, I’m continuing with the Cantos, and specifically addressing …