So, late yesterday night I finally finished getting the notes in for Round Midnight, which is the third and final movement of the Monk Suite. This one took more work than “Well You Needn’t” in some ways. The reason is that this is the one song I originally arranged from a “bad” chart. (Also, a very commonly-used, and commonly-known, I used the old Real Book chart, which has some speculative harmony that doesn’t match Monk’s very well. I think it’s the chord changes Miles Davis used, as mentioned here.) Ethan Iverson’s discussion of Monk’s misrepresentation in general is what made …