This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in this series. This post continues my work on the “Chinese” Cantos, covering Canto LIV.
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in this series. This post continues my work on the “Chinese” Cantos, covering Canto LIII.
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. This post begins my work on the “Chinese” Cantos, starting with Canto LII.
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. This post ends off my discussion of The Fifth Decad of Cantos (also sometimes called the “Leopoldine” Cantos) by specifically dealing with Canto LI, the final Leopoldine Canto.
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. This post picks up again (after another hiatus–I was busy for the last few weeks) one step closer to the end of The Fifth Decad of Cantos (also sometimes called the “Leopoldine” Cantos). Today I’ll be specifically dealing with Canto L, the penultimate Leopoldine Canto.
A long time ago, I started a planned series of posts that didn’t go very far, drawing some parallels between the England of the Gin Craze era (the early 1700s) and Korea in the first decade of the 21st century. I’m still not feeling like continuing it, but I am reading up on the Gin Craze (right now, working my way through Patrick Dillon’s wonderful Gin: The Much-Lamented Death of Madam Geneva–The Eighteenth Century Gin Craze) as I continue working on a short story set during that period, and a number of things have struck me as fascinating. So fascinating, indeed, …
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. The readings are atypical, for reasons made clear in my first post in the series. After a very long hiatus, this post picks up again toward the end of The Fifth Decad of Cantos (also sometimes called the “Leopoldine” Cantos), specifically dealing with Canto XLIX–also known as the “Seven Lakes” canto.
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind for a fiction project I’d like to write next year. If you’d like to know more about the project, I recommend scrolling down to the bottom of extended post, and reading the first installment in this series. After a long hiatus, this post picks up again toward the end of The Fifth Decad of Cantos (also sometimes called …
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind for a fiction project I’d like to write next year. If you’d like to know more about the project, I recommend scrolling down to the bottom of extended post, and reading the first installment in this series. This post continues with The Fifth Decad of Cantos (also sometimes called the “Leopoldine” Cantos), specifically Cantos XLVI-XLVII (and for more …
This post is one in a series of readings I’m posting of each poem in Ezra Pound’s The Cantos, a few at a time. These are not exactly typical readings of the poems, so much as readings I’m doing with a specific research project in mind for a fiction project I’d like to write next year. If you’d like to know more about the project, I recommend scrolling down to the bottom of extended post, and reading the first installment in this series. This post (several days late, though that’s becoming a pattern this semester) deals with the first four cantos of …