Seoul Audiences: or, How to Buy Seats for a Classical Music Concert in Seoul, and What I’ve Seen of Late

Over the last couple of months, I’ve seen an unusual number of orchestra concerts, and mostly they’ve been quite good. I’ll get to all that in a bit, but I want to generalize a little about concertgoing in Korea first. The programs here tend to be even more conservative than what I was used to in Saskatoon, Sasktchewan, the last time I was attending classical music concerts regularly. In Saskatoon, you would often see a contemporary composition open a concert — often enough that I had something to really look forward to most of the time. But in Korea, it’s …

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From a Student Paper

I’m grading at the moment, and I ran across something so priceless I couldn’t NOT share. (I am not mentioning the student’s name, so it’s anonymous, but as a piece of observation by someone from another part of Northeast Asia, it’s fascinating and made me laugh aloud!) It’s from a paper discussing the hybridity of Korean popular culture, and what foreign influences have affected Korean popular culture. It’s written by a foreign student who had the following to say about her experiences of “culture crash” (ie. Culture Shock) and the shock of coming into contact with real-life Korean culture, in …

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James on Wonder Girls

(START UPDATE #1 — 2:12 am same night): Well, Lime tells me that, no, it really is “boys and ajeoshis” who are the main consumers of Wonder Girls CDs. If this is the case, then this adds a more disturbing layer to my reading of the Tell Me video, since that would mean it’s a representation of a “girl’s fantasy” that’s constructed for the edification of male consumers. But the thing I have to wonder is, was the band aimed at male consumers from the beginning — from the release of “Tell Me”? And is it really true that the …

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The Rip-Off

Some weeks, things really do raise my hackles. It’s the concatenation of all kinds of things that are probably universal, but which in Korea are much more in-your-face or more, I don’t know, commonly accepted. What’s hitting me more and more is how the atmosphere of acceptability impacts negatively on individuals and on society in general. That’s what I’m focusing on now, here in this post.

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Student Culture & Student Expectations

I recently posted about student expectations with regard to course difficulty. Students — the same ones — have been mentioning, again, how difficult my two content courses are. This is not surprising, really, since in one we’ve been discussing the contribution of African-American popular culture to mainstream American (and really, global) popular culture — in terms not just of tangible contributions like to the musical language, to language itself, to style, to abstract ideas like “cool,” but also how African-American culture (or certain understandings [and misunderstandings] of aspects of it) got taken up consciously by, say, the beats, as an …

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