26 March 2003/ Dabang – Shivaji and the Ecstasy of Butter and Fire This track is a bit of an oddity, perhaps the heaviest track on the band’s CD which is titled Pig Over Seoul. It features a poem I’d recently gotten published in Matrix Magazine in Montreal, and which Myoung asked me to read at the studio to fill out the track. I had a horrible cold at the time, which made my voice sound downright evil. I’m happy with the effect. We’re currently trying to figure out how to get someone to perform this poem during some of …

I’m posting this link for my own use, but anyone else who is curious should also follow it: it’s a page about live clubs in the Sinchon area of Seoul. I need that to get to our gig at Club Bbang (Bread Club) this Saturday.

Right now I only have one music download for you of my own. It’s from Apocrypha Live ’98, by Apocrypha, the last band I played (semi-)regularly with in Saskatoon; one of our last live shows (in summer ’98) at a rave hosted by my friend Mike (aka DJ Dekoze) was recorded and actually mastered, produced, la la la. Some of it is bad, some is good. It’s kind of a mix of ambient music, free jazz, and spoken word. Accordingly, some bits sound like the Bladerunner soundtrack and some of my soprano sax work reminds me of Jan Garbarek. The …

Music’s been a big part of my life since the middle of seventh grade, when I decided that if my sisters could play the flute (and get a lot of attention that way) then I could bloody well do as well on some instrument. My mother rejected my first instrument choices (drums, electric guitar, bagpipes) and finally, after hearing the horn player in INXS, I settled on saxophone. I wanted to be a rock’n’roll sax player because damn, I was sure that women were crazy about that guyÖ