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This is my regularly updated practice log, mostly for accountability with my saxophone practice. Below you can see my practice for the week. If you’d like to check it out, here’s my goal list of tunes for the year.  This week, it seems I’m concluding my work on “Misty”—I think I “have” the tune, as I “got” Lonnie’s Lament last week. Maybe when I finish transcribing one Lonnie’s Lament solo, I’ll do the same for a version of Misty—maybe one of Stan Getz’s, like this one. As far as picking other tunes, I was tempted by Anthropology or Ornithology, but …

This is my regularly updated practice log, mostly for accountability with my saxophone practice. Below you can see my practice for the week. If you’d like to check it out, here’s my goal list of tunes for the year.  This week, it seems I’m working on two tunes: “Lonnie’s Lament” and “Misty.” There are reference examples I’m working off and listening to linked from the list of goal tunes.  Below, you can see a log of my practice sessions for the week.

Horn Acquired! Last Wednesday, I made a trip to Seoul to purchase a second-hand baritone sax. I should pause to mention that buying a bari sax in Korea is a hell of an undertaking. Nobody plays the damned things here: second-hand tenors and altos are common, and even sopranos are pretty easy to find, but almost nobody seems to have any interest in the big horns. Of the four I found for sale over the last few months, one was exorbitantly overpriced (a guy was asking 35 million Korean won—let’s call that about $30,000—for an early Selmer Mark VI low-A …