Pound and the Occult: Leon Surette’s The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult

This entry is part 14 of 53 in the series Blogging Pound's The Cantos

Depending on where you stand in terms of the literary establishment, my past week’s break from Canto-reading and Canto-blogging was either well spent, or a waste: personally, I consider it very well spent, but Leon Surette gives the impression that the majority of academic literary critics would disagree. Their antipathy towards him is perhaps understandable: […]