Jazz Spoken Here (Incoherently)

Last night I dreamed I was playing in a transtemporal big band, on tenor sax. Next to me, Duke Ellington, on… trombone. (He said he took it up for the challenge, because he already knew everything he was ever gonna know about the piano. “… and the trombone’s humble.”) We were in Korea, playing a gig in Seoul sometime in the ‘oughts (we were time travelers, remember?), and I was asked to speak about my time in the country. I was honest, talking about the good and the bad, which didn’t seem to entertain the audience much; when I looked …

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On Enigma

Jenny Greenteeth image

For the last few days, I’ve been taking medicine for an ear infection I suddenly developed. It’s not completely clear what caused the infection: contamination of the water in the pool where I swim is possible, but it’s just as likely that it’s a side effect of a particular asthma medication I’ve been taking. In any case, it’s not completely resolved, but it is a lot better than it was… yesterday, I was worried my eardrum might burst from the pressure, but today it’s almost normal again. (On the one side, at least.) Anyway, as a result, I’ve been unable …

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Delany on “Talented Writing”

Marc Laidlaw recently shared a link on Facebook to a post on “Good Writing vs. Talented Writing”over on Brainpickings featuring some ideas by Samuel Delany. Essentially, Delany draws a line between “good writing” and superior “talented writing”: The talented writer often uses specifics and avoids generalities — generalities that his or her specifics suggest. Because they are suggested, rather than stated, they may register with the reader far more forcefully than if they were articulated. Using specifics to imply generalities — whether they are general emotions we all know or ideas we have all vaguely sensed —is dramatic writing. A trickier proposition …

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Despite All the Nostalgia for the 1980s…

… that seems to be cropping up these days, it’s not a post-80s world we live in. It’s in the shadow of the Baby Boomer Generation that we dwell, today: their politics, their economics, their morality, their paradigm. This insight I ran across on the Ivebeenreading blog in a post about a piece elsewhere where Kent Jones “takes after Quentin Tarantino for a poorly thought-out slam of John Ford.” It’s curious that American culture and history are still so commonly viewed through a New Left prism, by means of which 1964 or thereabouts has become a Year Zero of political enlightenment; …

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