Tag: TV

Deadwood and Order

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As our baby has grown a bit, his needs and demands have shifted, so I’m trying to ease off watching TV and focus on him more, but for the first couple of months I found myself casting about for something to do while burping and feeding him, since he didn’t really engage much and “Aww, cute!” is less effective when you’re dead tired. Since reading was tough with both hands full, I set about catching up on TV series I’d missed over the years. More recently, I finished Mad Men, which… well, I’ll save that for another post, but before that it was Deadwood. After …

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Despite All the Nostalgia for the 1980s…

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… that seems to be cropping up these days, it’s not a post-80s world we live in. It’s in the shadow of the Baby Boomer Generation that we dwell, today: their politics, their economics, their morality, their paradigm. This insight I ran across on the Ivebeenreading blog in a post about a piece elsewhere where Kent Jones “takes after Quentin Tarantino for a poorly thought-out slam of John Ford.” It’s curious that American culture and history are still so commonly viewed through a New Left prism, by means of which 1964 or thereabouts has become a Year Zero of political enlightenment; …

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Xander and Anya, Willow and Tara, Giles and Jenny and that Woman Who’s Scared Off…

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So Miss Jiwaku and I finished watching the full series of Buffy The Vampire Slayer — it was her first time all the way through, and my second — a few weeks ago. I tried to sum up the experience, but it was pretty difficult. Hundreds of hours of fairly iconic TV don’t really boil down so easily as all that. There’s a lot I could talk about, but I figure I can post a few different things as they come to me, or as they come to me.

Today, what I’m interested is “nonstandard” relationships, and how I see them explored in the show.

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Vampires, Confucianism, Christianity’s Latent Monarchism, and the Translation of Sociohorror

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Seriously, now...
This entry is part 44 of 72 in the series SF in South Korea

(Note: I’m filing this under Korean SF, though it only fits there if we define SF as “speculative fiction”: still, I think this post does appeal to a crucial question at the heart of the reception of SF and other fantastical genres in cultures foreign to the culture of a given work’s original production. So there.) So I’ll admit it now: I’ve been watching True Blood. Yes, yes, it’s trashy. But as someone who is not very plot-minded, I have to say, it does a particular trick with a knife that I, too, am learning to do. I’m close to …

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Enjoyment

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While grading some homework from my course on Popular Cultures in the English Speaking World, something clicked for me. I was reading through student responses to the episode of How I Met Your Mother that we watched together, and discussed. Something that really stood out for me was the way in which people talk about comedy, or entertainment in general. I’ve noticed it before, in the way many Koreans talk about music, but finally I think I put some pieces of the puzzle together. Now, I’m not 100% sure I have something here–it may be that my students are all …

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