Comedy in RPGs – #RPGaDay 2017, Day 28

August is RPGaDay month. Yep, a month solid of RPG-related posts, answering these questions: Today’s question is this: What film/series is the biggest source of quotes in your group? Huh, funny assumption. I can say I’ve played with people who do this a lot—who love to quote lines from Monty Python or action movies or whatever—but not so much, lately. I don’t have a regular group, right now, but in my last group, I don’t really recall anyone quoting movies so much.  That’s not to say there wasn’t comedy, it was just more situational or (imaginary) slapstick comedy. Do groups …

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Enjoyment

While grading some homework from my course on Popular Cultures in the English Speaking World, something clicked for me. I was reading through student responses to the episode of How I Met Your Mother that we watched together, and discussed. Something that really stood out for me was the way in which people talk about comedy, or entertainment in general. I’ve noticed it before, in the way many Koreans talk about music, but finally I think I put some pieces of the puzzle together. Now, I’m not 100% sure I have something here–it may be that my students are all …

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Two Videos From a Busyish Day

Today was kind of busy, so here are a couple of videos I found amusing, with comments as to why they caught my attention. [kml_flashembed movie=”http://www.youtube.com/v/iC65ufGUvKM” width=”425″ height=”344″ allowfullscreen=”true” fvars=”fs=1″ /] Have I mentioned that at a high school variety night I performed a freejazz/fusion version of this song? Sort of. Same bass line, and I hollered some of the words into the mic before the atonal saxophone weirdness kicked in. (I played my tenor.) I was accompanied by a keyboard bassist named Jennifer Duggleby and a drummer named Mike Murza. I doubt anyone recognized the song. Maybe one or …

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Hiromi & FOTC

Music of the day, suddenly accessible as I reordered tags and crap on my iPod. It really sucks that everything is so dependent on tagging and so on — my cheaper-but-non-haptic MP3 Player is at least bright enough to pay attention to folder structures. Anyway, listen up: [kml_flashembed movie=”http://www.youtube.com/v/ggL_2hk9DyI” width=”425″ height=”344″ allowfullscreen=”true” fvars=”fs=1″ /] It’s a bit, I don’t know… I don’t have a word for what I’m thinking. I used to life very “out” music, stuff that was atonal, free, wild; this music isn’t like that. But it’s really damned good for what it is, just the same, and …

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OVER~~!

I find myself wondering why overacting — vast, wailing reactions of protestation, incredibly fake outrage, and the like — is the norm in comedic “acting” in Korea. (EDIT: Actually, it also seems the norm in movies, but in a different way: long brooding shots, action scenes five minutes too long, and hyperemotional crying is something we see both on TV melodrama and in films, but I’m particularly thinking of comedy at the moment.) Or, rather, not “why” but “how it became the case that…” One example is the various gag TV shows like Uchassa and Gag Concert. These are, roughly …

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