Baude Cordier, Pando, and The Lifecycle of Radical Music

The composition on the left is “Belle, bonne, sage,” composed by Baude Cordier, a musician who fell into the “Ars subtilior” school — that is, the “more subtle” school of music, which flourished briefly right around the end of the 14th century, in southern France and Northern Spain: you’ll see some sources call that “late medieval” and others “early Renaissance,” though I think of it as the former in most terms… but in music, it’s kind of a toss-up, or rather, at that time and place, music straddles the divide between the Middle Ages and the Renaissance. The comparative (“more subtle”) refers to the Ars …

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Monk, Amblyopia & All

Wanting to check one detail about Monk’s life, I picked up my copy of Straight, No Chaser: The Life and Genius of Thelonious Monk by Leslie Gourse, and searched… and an hour later, I discovered I’d happily read a big chunk of the book. So far it’s a very balanced treatment, from what I can tell: Gourse doesn’t shy away from the few unpleasant things that come up, but doesn’t dwell on the either. It’s not a particularly musical biography, so far: no analysis of Monk’s music. (There’s more of that in Gabriel Solis’ Monk’s Music, which I’d dive into next if it weren’t …

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Newport Jazz Festival, 1960:The Year They Called the National Guard

You won’t catch me hating on the Newport Jazz Festival, of course! When I was a teenager, the festival on Rhode Island had a kind of magical aura of importance: on PBS I’d seen footage of Gil Evans playing there with Art Farmer: https://www.youtube.com/watch?v=nlgKLwhoVgI … and listened time and again to John Coltrane and Archie Shepp’s New Thing at Newport: … and Dizzy Gillespie’s big band recording At Newport: https://www.youtube.com/watch?v=GJF7075fvg4 … dozens and dozens of times. (Seriously, in high school, I was baffled by how everyone was into music we all knew nobody would be listening to by 2002. My jam …

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Monk Suite, One Page at a Time

I’m no sure how many people out there are really tracking my notation projects, but this is an update about my current one, notating “Monk Suite”–an arrangement of tunes by Thelonious Monk for jazz quintet and orchestra that I put together as an undergrad student.

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All Blues

Another week, another tune. This one’s a classic, and strictly speaking, it’s actually just a blues in concert G. But I was trying to capture some of the original Miles Davis version. (On which all the solos kill me, though I used to focus on the Coltrane; lately, I’ve reached a new appreciation of just how badass Cannonball Adderley was–that’s the first sax solo, for those who are curious.) These days, I’m trying to get better at walking the line between “inside” and “outside”: the more traditional, “tonal” sounding playing that I’ve been working on since picking up the horn …

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