Jazz Spoken Here (Incoherently)

Last night I dreamed I was playing in a transtemporal big band, on tenor sax. Next to me, Duke Ellington, on… trombone. (He said he took it up for the challenge, because he already knew everything he was ever gonna know about the piano. “… and the trombone’s humble.”) We were in Korea, playing a gig in Seoul sometime in the ‘oughts (we were time travelers, remember?), and I was asked to speak about my time in the country. I was honest, talking about the good and the bad, which didn’t seem to entertain the audience much; when I looked …

Continue Reading

How High The Ornithology, or, The Contrafact

Well, I was slowed down a little by a crazy ear infection, but I’m back. Here’s my take on two tunes, which are actually kinda-sorta one tune: “How High the Moon” (1940) by Nancy Hamilton (lyrics) & Norman Lewis (music) “Ornithology” (1945) by Charlie Parker & Benny Harris My take on this pair of tunes is flawed: I had to slow the backing track to make it playable with both tunes, my attempt at Bird’s famous Ornithology solo is haphazard, and the sound quality is something I’m not happy with… but I still feel like I have achieved something, compared …

Continue Reading

In Lieu…

… of an actual blog post, the last recorded musical homework of my Introduction to Jazz Improvisation course that I’ve been taking over at Coursera. Two tunes this week, because we have no analysis/written homework this time. The first was a blues in concert F: Yes, the horn section sucks. But I wanted the tune to have a little more oomph. I actually made the foolish assumption that the track was going at a steady tempo, but it wasn’t, so I couldn’t cut and paste the horn section stuff to another chorus as I’d intended. Ah well… (EDIT: I redid …

Continue Reading

WWSRD? (What Would Sonny Rollins Do?)

The title of this post is a question every tenor saxophonist asks himself or herself at some point, and I think it belongs on a T-shirt. I’d buy a few of them for myself, to be sure! Anyway, what led me to come up with this expression is that my homework this week in my Jazz Improvisation course at Coursera involved recording the head (the pre-existing melody) and one chorus of (imporvised) solo on Keith Jarrett’s tune, “Memories of Tomorrow.” I actually have a relationship with this tune going back to high school: my saxophone teacher at the time, Mike …

Continue Reading

Jazz/SF Intersection: Nichelle Nichols and Duke Ellington

It’s more often than you might expect that I find intersections between the worlds of jazz music and SF. John Coltrane read Flash Gordon and other pulps and comics as a kid, and as I discuss in that same post, Sun Ra (and several other jazz musicians) talked about life from the point of view of an alien from another world who was visiting the Earth. (Some others talked more in terms of being “trapped” on the Earth, and there, the sad root of the metaphor probably lies.) But in happier, more exciting news: my latest find, which maybe is …

Continue Reading