Inception and PKD

After reviewing the book about PKD in my last post, I realized I’d said nothing about the film Inception, which I saw a few weeks ago. I’m going to come out and say what I think about the film, and what it means for cinematic SF, but save the spoilers (and much of my explanation) for the extended part of this post, so that those who wish can avoid the spoilers. (Note, if you’re reading on the RSS feed you might not have a cut. I’ll warn you.) So, what is Inception? It’s one of the most Phildickian films I’ve …

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Tiny Thought…

So I’m reading this book — for the purposes of reviewing it — and the strange thought hit me: for those who have seen the Korean film 엽기적인 그녀 — known in English as My Sassy Girl, though the English title is meh. (The Korean title, “Yeopgijeogin Geunyeo” is more like, “That Weirdo Girl” or “That Bizarre Girl,” as I understand it. 엽기적인 hjas dictionary entries for “bizarre” and “grotesque” but the phrase is also used for, for example, “pulp fiction” or the Korean name for Mashimaro.) Anyway, the thing I noticed was this: the last word of the title …

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Splice — another science-illiterate movie.

If you are worried about spoilers? You need to read this post, so that you don’t spoil your bloody afternoon, the way I did by paying money to watch this crap. Wow, and I thought genetics was a branch of science and industry where people were researching how genetics works, how to design medicines and other technologies based on those discoveries, and hopefully figure out how to regrow organs or limbs, fight aging, combat genetically-heritable illness, and that kind of thing. I mean, yeah, there’s also all kinds of stuff I don’t like in the biotech industry; most people I …

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Five more on Kick-Ass, Part 5

This entry is part 5 of 5 in the series Five More on Kick-Ass: A Response to Criticisms of the Film

[UPDATE: For the first twelve hours this post was online, somehow an earlier draft went live, instead of the final version. I’ve just restored the autosaved final draft. So this post looks different than it did ten minutes (or ten hours) ago.] ORIGINAL POST: This is the final post in a series that began with Part 1. I recommend beginning there, and following the links at the end of each section to work through the following posts in the series (of which there will be five). Here we are, at the end of an evisceration. Feels like the end of the …

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Five more on Kick-Ass, Part 4

This entry is part 4 of 5 in the series Five More on Kick-Ass: A Response to Criticisms of the Film

This is the penultimate post in a series that began with Part 1. I recommend beginning there, and following the links at the end of each section to work through the following posts in the series (of which there will be five). Here’s the next segment of the criticism to which I’m responding: “Kick-Ass” is rated R, which means that adults are free to take children to watch a child hurting adults: a neatly wrapped package, like “Home Alone” on growth hormones. I’m going to rephrase this, critically, as the following argument: Whatever one thinks of violence in film, children harming adults is, …

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Five more on Kick-Ass, Part 3

This entry is part 3 of 5 in the series Five More on Kick-Ass: A Response to Criticisms of the Film

This is the third post in a series that began with Part 1. I recommend beginning there, and following the links at the end of each section to work through the following posts in the series (of which there will be five). The third claim embedded in the criticism of Kick-Ass to which I’m responding is found here in the original passage: Goldman would presumably say that it is violence, not sex, that our pre-teen heroine learns, but that is a cowardly distinction—although, to be fair, it is a cowardice shared by everyone from the M.P.A.A. down…. when filmmakers nudge a child into …

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Five More on Kick-Ass, Part 2

This entry is part 2 of 5 in the series Five More on Kick-Ass: A Response to Criticisms of the Film

This is the second post in a series that began with Part 1. I recommend beginning there, and following the links at the end of each section to work through the following posts in the series (of which there will be five). In my last post, I showed how the claim that Kick-Ass, in its presentation of Mindy/Hit-Girl in a schoolgirl uniform, doesn’t constitute sexualization of children as much as the critic’s claim therein constituted the revelation of a desire to desexualize, infantilize, and otherwise impose degrading and confusing controls both on the depiction of children in media, but also (and more distressingly) …

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Five More on Kick-Ass, Part 1.

This entry is part 1 of 5 in the series Five More on Kick-Ass: A Response to Criticisms of the Film

A response to my post on Kick-Ass showed up on the LJ mirror of this blog, and I decided I wanted to respond to it here, where it could be more widely seen. The comment went like this: You’re the third person I’ve heard or seen recommend this movie (hadn’t looked at any reviews). The others were [my friend] and Peter Watts. What I want to know is your response to criticism like this: “Kick-Ass” is violence’s answer to kiddie porn. You can see it in Hit Girl’s outfit when she cons her way past security guards—white blouse, hair in …

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Glitch: Tersesat Dalam Waktu (My First Indonesian SF Film)

So, I’ve just finished watching Glitch: Tersesat Dalam Waktu (English: Glitch: Getting Lost In Time) as I write this. (It will end up being posted later, but I’m writing it now, so I’ll just write it in the present time.) It’s one of the DVDs I managed to pick up while in Jakarta that is actually an SF movie, as opposed to mainstream drama or horror. (SF seems rare there, but horror is practically mainstream cinema in Indonesia, from what I can tell.) Anyway, the premise is that some sort of time loops have been set up for some unknown reason, …

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