Korean SF Festival 2014

This entry is part 64 of 72 in the series SF in South Korea

Those tracking Korean SF might be pleased to note that the Gwacheon International SF Film Festival I blogged about a while back–and which has continued over the years since–has expanded into a kind of Korean SF Festival, full stop. There’s a big film component, but there seems to be much more than screenings and an exhibit nowadays, which is great! It runs from the 26 September to 5 October this year, and is being held at the same spot as the year I attended: the Gwacheon Science Museum which is a very good venue, as long as you don’t mind the trek out to Gwacheon. Here’s a link to …

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Articles on Korean SF in _list Magazine

This entry is part 61 of 72 in the series SF in South Korea

For those interested in South Korean SF, but unable to read it themselves (like me) you will be interested in the little treasure trove of articles I’ve just run across on the subject. They were published as part of the Summer 2013 issue of the magazine _List, which appears to be published by the Literature Translation Institute of Korea. There are four articles in all: “Chronicling Korean Science Fiction” by Cho Sung-myeon, which discusses the history of Korean SF. This is a great piece with a lot more history than I ever found available anywhere else. Plenty of figures in Korean …

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Seoul SF&F Library — Relocated!

This entry is part 54 of 72 in the series SF in South Korea

So, recently, the Seoul SF & Fantasy Library relocated to Mapo-gu. The new location is near Hong-Ik Dae University, and is a wonderful space: large, bright, and very versatile, as well as above-ground — it is on the third floor of the building in which it is located. I was meaning to take some photos of the wonderful place, but it slipped my mind before I left, so that will have to await an update for this post. I attended a reception there, where many of Seoul’s SF fans, authors, and other personalities were in attendance, and we celebrated the …

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Girl Who Leapt Through Time by Yatsutaka Tsutsui

I’ll start off by saying I picked this book out simply because I was looking for something to read while pumping my legs on the stationary recumbent bike at the gym the other day. I figured it looked like a light read, and thought I might even be able to finish it in a one-hour cardio session. I was right. However, I may have been a little distracted while reading the book. That said, I found it enjoyable and compelling enough to keep reading, but I’m not sure I would have if I’d been at home, where tons of other …

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7광구 (Sector 7) — Setting Korean SF Back Decades

This entry is part 46 of 72 in the series SF in South Korea

If you want the short version of my reaction: skip this movie, pretend it was never made, save yourself some money and some disappointment — that is, if you have a half a brain and actually like SF. Sector 7 is shot amateurishly, it is badly acted by almost the whole cast — and since at least some of the cast can act, I suspect it’s badly edited and badly directed; the budget was mostly used creating CG for a rather unimaginative monster; it was derivative of The Host (괴물), the Alien series (especially Aliens; it was badly written; it had …

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Forthcoming Papers on Korean SF, “Good Night,” and a Summary of “Another Undiscovered Country”

This entry is part 43 of 72 in the series SF in South Korea

Well, I have submitted the final corrected version of my paper on Korean SF films in the 21st century to Acta Koreana: it’s been approved for publication, pending those edits, so I figure that’s one more paper in the can, to bring my current total of pending academic publications to two: “Politics, Ecology on the Korean Left: Anti-Americanism and Environmental Dystopia in The Host” supposedly forthcoming in the Arena Journal. “Another Undiscovered Country: Culture and the Reception and Adoption of the Science Fiction Genre in 21st-Century South Korean Cinema,” which if all goes well should be appearing in Acta Koreana sometime …

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More About Korean SF, and Some Dougal Dixon Links

This entry is part 42 of 72 in the series SF in South Korea

You might think that I’ve given up on the topic, but I haven’t. In fact, I’ve been working on a few papers on the subject. I don’t know if they’ll ever see the light of day, but I’m sending them out, slowly. In the meantime, I’ve had a few discussions with Anselmo Quemot, a blogger over at Acheron LV-426. You can see the discussions in the comment threads to these two posts: Placing the Future in South Korea? An open letter to Gord Sellar about South Korean sci fi Acheron LV-426 is full of other interesting stuff, too; it was …

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Addendum #2 to [Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 39 of 72 in the series SF in South Korea

Note: This is an addendum to this original post, and to the first addendum I posted the other day. Some of the discussion that has cropped up in the responses to the earlier post and addendum to which this is appended (and which I want to address) is concerned with the “colonialism” or “imperialism” of the status I suggested American mainstream non-SF media have for average Korean viewers. That is to say, questions were raised as to whether this non-SF having a kind of pseudo-SFnal, utopian quality — in that it depicts a world not only radically different, but also …

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Addendum to [Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 38 of 72 in the series SF in South Korea

Over at the Livejournal mirror of this site, I was asked, just now, to clarify something about my last post, titled “[Literary] SF: A Social Phenomenon (Plus Some Detours),” why in the point I called Access I placed so much emphasis on foreign works in translation. I thought I would clarify that, as well as adding a point or two from the recent paper I presented at WorldCon. Note: I suggest you click that link, and see the original post first, before reading what follows. First: I emphasize foreign works in translation as an important part of “Access” to SF …

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[Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 37 of 72 in the series SF in South Korea

So, I recently recounted my observation that SF is a social phenomenon, which was (though somewhat buried) basically the point of a recent presentation I made. I was thinking about this fact when I had a sudden realization, or what felt like one, anyway. It had to do with being asked what attracted me personally, to SF, but I noted that I was an unusual case, since I came to the genre as an adult. (That is, if we take SF to mean science fiction. If we consider SF in the sense of “speculative” fiction, ie. including fantasy and horror …

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