A lot of attention has been paid to Wonder Girls, to sexual imagery in advertising, but what about images of men an masculinity in Korean pop culture? This picture-laden post looks at both through the lens of a paper on SFnal treatments and transformations of gender in women’s SF in Japan by scholar Miri Nakamura. It’s long, it’s big, it’s one of those posts. Hence the excerpt.
It’s true that Koreans are not nearly so freaked-out about US beef as they were a month or two ago. The numbers are changing. ROKDrop writes that: With pictures of people lining up outside of meat markets with coolers in hand to buy US beef undoubtedly public opinion is going to shift greatly in favor of US beef. Well, yes, that’s true. And yet… Amusingly, or depressingly, I’m not sure which, both the Joongang Ilbo and the Maeil Gyeongjae (Daily Economics) have already had to issue apologies for using staged photos with fake consumers to accompany stories on the, er, …
Some of the protesters have been using references to V for Vendetta during the demonstrations. Turns out Scott went up and talked to them, and asked whether they knew that V is an anarchist, or that the V sign is an inverted anarchy symbol. They didn’t. Scott thinks they’re “retards” who are guilty of “ethnocentric cultural misappropriation,” and that “they think that going to a massive anti-government demonstration is cosplay and means nothing serious in the end…” and that I’m being patronizing in excusing this. I disagree. Wanna know why?
Next time someone throws around the stereotype about how Westerners in Korea are drunken sots who behave badly, remind them of that Korean guy who went drunk driving in Cambodia in July 2008, killed a family, and refused to tell his name to the cops (and anyway cannot speak English or Khmer). Ask them when was the last time a Westerner did that in Korea. Seriously, ask them. And don’t accept the thing about the tank and the two schoolgirls on the country road back in 2002: the drivers weren’t drunk, two girls is not a whole family, and it …
That’s a working title, but there it is. I’m hurling myself over the gate in the Write-a-thon, here. That is, I’m working on “Fovea” with one collaboratron, and another story (with lycanthropic gangsters, with another collaboratron whose identity is now probably obvious to half my readers). For my third trick, the one on which I put in a thousand words today, I’m pulling together a triptych of ghost stories — somewhat linked, sort of, but also separated by time — set on mountains in Korea.