All Blues

Another week, another tune. This one’s a classic, and strictly speaking, it’s actually just a blues in concert G. But I was trying to capture some of the original Miles Davis version. (On which all the solos kill me, though I used to focus on the Coltrane; lately, I’ve reached a new appreciation of just how badass Cannonball Adderley was–that’s the first sax solo, for those who are curious.) These days, I’m trying to get better at walking the line between “inside” and “outside”: the more traditional, “tonal” sounding playing that I’ve been working on since picking up the horn …

Continue Reading

“The Logical Question and the Decaying Answer”

Whew! I’m feeling a sense of immense achievement, probably a little out of proportion to what I’ve actually done. Then again, this is a blog, so… I haven’t composed any new music (in terms of writing it down, I mean) in a couple of decades, but I have finally finished inputting the first of the pieces I’m notating with Musescore. Here’s the first page: I’m pleased because Musescore also lets me export audio for the pieces. The renderings are not perfect–honestly, they show the flaws of the piece, in that a human touch is really necessary for the piece to …

Continue Reading

Learning Curves, Apparent and Hidden

Back when I was a music student, it wasn’t all that unusual for people–especially students–not to have a computer at home. That’s what computer labs were for, so, yeah, my first few years of internet-use all took  place in campus computer labs. Campus computer labs tended to have only the sort of software everyone needed, so while the music notation software Finale has been around for ages, I never really learned to use it properly: the only computer I knew that had it installed was a tiny little Mac Classic in the “electronic music lab”–a tiny, windowless room mostly taken …

Continue Reading

How High The Ornithology, or, The Contrafact

Well, I was slowed down a little by a crazy ear infection, but I’m back. Here’s my take on two tunes, which are actually kinda-sorta one tune: “How High the Moon” (1940) by Nancy Hamilton (lyrics) & Norman Lewis (music) “Ornithology” (1945) by Charlie Parker & Benny Harris My take on this pair of tunes is flawed: I had to slow the backing track to make it playable with both tunes, my attempt at Bird’s famous Ornithology solo is haphazard, and the sound quality is something I’m not happy with… but I still feel like I have achieved something, compared …

Continue Reading