The Status of Fiction in Traditional Northeast Asian Literary Culture

A while back, I mentioned how, in 1632, the commoners around Shaoxing (in China) had planned to cosplay the characters from the famous wuxia novel The Outlaws of the Marsh, hoping to appease the gods into making it rain so a famine could be avoided, and some of the local literati had gotten involved, donated some cloth and lots of money, and turned the thing into a massive Harajuku-meets-Vegas stage production extravaganza. Ah, late Ming China! Ah, Zhang Dai! This mini-anecdote leaves me slightly skeptical about parts of the introduction of Peter H. Lee’s translation of the Imjin Rok, titled in English The Record of the Black Dragon Year (a Korean text roughly …

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The Cosplayers of the Late Ming Dynasty

Wait… cosplay? In the late Ming Dynasty? Apparently, yes. And I don’t just mean dressing up in costumes, which is a universal and ancient activity. I mean cosplay. What’s the difference? I’ll let Jonathan Spence lay out the dots, before I connect them. Here’s a passage from Return to Dragon Mountain: After his dismissal by the prince of Lu, [Zhang Dai’s] father returned to Shaoxing in early 1632 just before the region was smitten with a prolonged drought, which badly damaged crops and led to the threat of famine. For both father and son the ordinary fabric of life was starting to unravel. Zhang Dai, …

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