All Yesterday’s Tomorrows: Future Shock (1970) by Alvin Toffler

(Note: The “today” I mentioned at the beginning of this post was on April 21st. This has sat in the drafts pile for a while.) Today, I happened to pick up a copy of the 1970 futurist classic Future Shock, by Alvin Toffler. This being Korea, there’s never a shortage of Toffler books around: the author’s tenure as an advisor to Kim Dae Jung seems to have ensured an enduring reputation here. (The library where I work even has a Korean translation of the book! I wonder how faithful the translation was, as well as how some of the, er, …

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It’s Earth Day!

Say what you like about Earth Day — there’s someone I know out there is snarking about it right now, if he even knows about it — but if you ask me, it’s a holiday about celebrating and embracing something that is here, visible, tangible, and unarguably real. People survived and thrived for hundreds of thousands of years without holding major festivals for specific deities, without holding big annual parties for imaginary constructions like nation-states. Nation states are all well and good, but the Earth is here, tangible, and absolutely necessary for our survival. It’s as close to sacred as …

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Define “Big,” and Define “Butts” (Plus a Barrage of Amusing Youtube Videos)

The other day, while I was searching for the video “Soju Mama” in a recent post, I ran across this commercial: The fact they used this song, and this celebrity, in this commercial, suggests one of these two possibilities: They figured most people don’t know what “I like big butts” means. Which is maybe plausible, since I find most Koreans who aren’t really high-level in English translate whichever Korean word indicates both (is it 엉덩이? That’s the one I learned first and remembered because I heard it so often, so I assume it’s the most common) as “hip” to indicate …

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Expatriates and Creative Bitching

I’ve often got this song on a loop in my MP3 these days when I ride the subways: Before you read the following, seriously, listen to this song, check out the lyrics, of which the following passage grabbbed me (hard, by wrist) when I first heard it: I understand the culture’s Of a different kind, But here [the] word celebration Just doesn’t come to mind! This resonates with me in the context of the story the song tells: a band that describes itself, in its early days, as “a bunch of immigrants jamming” who met at “a Russian wedding in …

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