- Lizard in a Zoot Suit by Marco Finnegan
- Samurai Cat in the Real World by Mark E. Rogers
- Jack Vance’s The Face (Demon Princes, Book 4)
- Jack Vance’s The Book of Dreams (Demon Princes, Book 5)
- Mouse Guard: Legends of the Guard, Vol. 1, by Various Artists
- Mouse Guard: Legends of the Guard, Vol. 2, by Various Artists
- Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salesses and The Anti-Racist Workshop: How to Decolonize the Creative Classroom by Felicia Rose Chavez
- Mouse Guard: Legends of the Guard, Vol. 3, by Various Artists
- Wanderhome, by Jay Dragon
- Elements of Fiction, by Walter Mosley
- Hidden Folk, by Eleanor Arnason
- The Wages of Whiteness (Revised Edition) by David R. Roediger
- The Katurran Odyssey by David Michael Wieger, illustrated by Terryl Whitlatch
- Dragons (Time Life Enchanted World)
- May We Borrow Your Husband? and Other Comedies of the Sexual Life by Graham Greene
- Winter Studies and Summer Rambles in Canada by Anna Brownell Jameson
- The Cursed Chateau by James Maliszewski, illustrated by Jez Gordon
- Stolen Focus: Why You Can’t Pay Attention—And How to Think Deeply Again by Johann Hari
- Dinotopia: A Land Apart From Time by James Gurney
- Mouse Guard: Baldwin the Brave And Other Tales by David Petersen… and a song!
- Mouse Guard: The Owlhen Caregiver and Other Tales by David Petersen
- Thieves’ World edited by Robert Lynn Asprin
- My Friend Dahmer by Derf Backderf
- Fish F*ckers by Kelvin Green
- Saga Volume 1 by Brian K Vaughan and Fiona Staples
- Scourge of the Scornlords: Meatlandia Book III by Ahimsa Kerp and Wind Lothamer
- Love is the Law by Nick Mamatas
- Harvest for Hope: A Guide to Mindful Eating by Jane Goodall
- The Graveyard Book Graphic Novel by Neil Gaiman and P. Craig Russell
- Sirenswail by Dave Mitchell
- Roman Britain by David Shotter
- Saga, Volume 2 by Brian Vaughan and Fiona Staples
- Menace Under Marswood by Sterling Lanier
- The Best We Could Do: An Illustrated Memoir by Thi Bui
- Muse Sick: a music manifesto in fifty-nine notes by Ian Brennan
- Backwoods Witchcraft: Conjure& Folk Magic From Appalachia by Jake Richards
- Dictionary of the Khazars: A Lexicon Novel by Milorad Pavić, translated by Christina Pribićević-Zorić
- Modern Jazz Voicings: Arranging for Small and Medium Ensembles by Ted Pease and Ken Pullig
- Mammoths of the Great Plains by Eleanor Arnason
- The Home Brewer’s Guide to Vintage Beer by Ron Pattison
- The Planetbreaker’s Son by Nick Mamatas
- The Collected Works of Billy the Kid: Left Handed Poems by Michael Ondaatje
- Good Talk: A Memoir in Conversations by Mira Jacob
- The Sword of Samurai Cat by Mark E. Rogers
- Calvin & Hobbes by Bill Watterson
- Vermilion by Molly Tanzer
- The Punch Line by Zzarchov Kowolski
- Embassytown by China Miéville
- Adult Children of Emotionally Immature Parents by Lindsay C. Gibson
- Gyo (Deluxe Edition) by Junji Ito
- Saga, Vols. 2–3, by Brian K. Vaughan and Fiona Staples
- Cursed Bunny by Bora Chung, translated by Anton Hur
- Smashed and Tomie by Junji Ito
- Uzumaki by Junji Ito
- The Paper Menagerie and Other Stories by Ken Liu
- Dissolving Classroom by Junji Ito
Well, this is the saddest of the Demon Princes novels, because its villain, Howard Allen Treesong, was the most sympathetic of the series: a lunatic, to be sure, but he lost his mind through abuse and bullying and a horrible childhood.
The eponymous The Book of Dreams feels like some kind of metonym for a lot of SF as a literary form: a kooky, self-aggrandizing remix of obscure adventure stories, folklore, and religious tracts. The “high school reunion revenge” scene is the stuff of a Netflix miniseries season climax, I tell you. Also, the parallels between Gerson and Treesong are… interesting. (Both are revenge-obsessed childhood outcasts driven by deep damage sustained early in life, and by an upbringing most sane people would consider abusive.)
I found Treesong’s fall into villainy particularly sad: not only was he an abused child, but he was tricked into worsening his abuse by a bullying sibling who hid his Book of Dreams, causing Treesong to lash out at—and then lose—his only friend in the world. How sorrowful, how pathetic that child, and we get to hear enough of the story to really pity him.
The pity extends a bit to Gersen, too, or at least it did for me, given the parallels between the two characters. Little wonder, then, that Vance skips the denouement here: where indeed can Gerson go, now that he is “deserted by his enemies”? Can one even come back from what he’s become? Or, heaven forbid, does he inevitably become a “demon prince” himself?
Eh, probably not: this isn’t really one of those kinds of stories. But it’s also not the kind of story where the protagonist is supposed to grow or develop or change. He’s more an iconic hero, like the ones we know from most superhero narratives: he exists to set a disordered universe back to order.
But the problem is that unlike those other iconic heroes, he has nobody left to vie against. For Conan, for Batman, for other characters of that type, the universe is an inexhaustible source of conflict. But Gersen’s done what he set out to do, and what he does afterward… we see hints, maybe, but it doesn’t matter, because that’s not what his story is about.