- Lizard in a Zoot Suit by Marco Finnegan
- Samurai Cat in the Real World by Mark E. Rogers
- Jack Vance’s The Face (Demon Princes, Book 4)
- Jack Vance’s The Book of Dreams (Demon Princes, Book 5)
- Mouse Guard: Legends of the Guard, Vol. 1, by Various Artists
- Mouse Guard: Legends of the Guard, Vol. 2, by Various Artists
- Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salesses and The Anti-Racist Workshop: How to Decolonize the Creative Classroom by Felicia Rose Chavez
- Mouse Guard: Legends of the Guard, Vol. 3, by Various Artists
- Wanderhome, by Jay Dragon
- Elements of Fiction, by Walter Mosley
- Hidden Folk, by Eleanor Arnason
- The Wages of Whiteness (Revised Edition) by David R. Roediger
- The Katurran Odyssey by David Michael Wieger, illustrated by Terryl Whitlatch
- Dragons (Time Life Enchanted World)
- May We Borrow Your Husband? and Other Comedies of the Sexual Life by Graham Greene
- Winter Studies and Summer Rambles in Canada by Anna Brownell Jameson
- The Cursed Chateau by James Maliszewski, illustrated by Jez Gordon
- Stolen Focus: Why You Can’t Pay Attention—And How to Think Deeply Again by Johann Hari
- Dinotopia: A Land Apart From Time by James Gurney
- Mouse Guard: Baldwin the Brave And Other Tales by David Petersen… and a song!
- Mouse Guard: The Owlhen Caregiver and Other Tales by David Petersen
- Thieves’ World edited by Robert Lynn Asprin
- My Friend Dahmer by Derf Backderf
- Fish F*ckers by Kelvin Green
- Saga Volume 1 by Brian K Vaughan and Fiona Staples
- Scourge of the Scornlords: Meatlandia Book III by Ahimsa Kerp and Wind Lothamer
- Love is the Law by Nick Mamatas
- Harvest for Hope: A Guide to Mindful Eating by Jane Goodall
- The Graveyard Book Graphic Novel by Neil Gaiman and P. Craig Russell
- Sirenswail by Dave Mitchell
- Roman Britain by David Shotter
- Saga, Volume 2 by Brian Vaughan and Fiona Staples
- Menace Under Marswood by Sterling Lanier
- The Best We Could Do: An Illustrated Memoir by Thi Bui
- Muse Sick: a music manifesto in fifty-nine notes by Ian Brennan
- Backwoods Witchcraft: Conjure& Folk Magic From Appalachia by Jake Richards
- Dictionary of the Khazars: A Lexicon Novel by Milorad Pavić, translated by Christina Pribićević-Zorić
- Modern Jazz Voicings: Arranging for Small and Medium Ensembles by Ted Pease and Ken Pullig
- Mammoths of the Great Plains by Eleanor Arnason
- The Home Brewer’s Guide to Vintage Beer by Ron Pattison
- The Planetbreaker’s Son by Nick Mamatas
- The Collected Works of Billy the Kid: Left Handed Poems by Michael Ondaatje
- Good Talk: A Memoir in Conversations by Mira Jacob
- The Sword of Samurai Cat by Mark E. Rogers
- Calvin & Hobbes by Bill Watterson
- Vermilion by Molly Tanzer
- The Punch Line by Zzarchov Kowolski
- Embassytown by China Miéville
- Adult Children of Emotionally Immature Parents by Lindsay C. Gibson
- Gyo (Deluxe Edition) by Junji Ito
- Saga, Vols. 2–3, by Brian K. Vaughan and Fiona Staples
- Cursed Bunny by Bora Chung, translated by Anton Hur
- Smashed and Tomie by Junji Ito
- Uzumaki by Junji Ito
- The Paper Menagerie and Other Stories by Ken Liu
- Dissolving Classroom by Junji Ito
Just like with the previous volumes of this series, I read this book in a single sitting to my son, who was enthralled all the way through. I’d never read him anything that he was so interested as to insist on returning to it every day till it was done, the way he was with this series. (However, he is now similarly enraptured by David Weiger and Terryl Whitlatch’s The Katurran Odyssey. Expect a post on that at some point.)
I know I praised the second volume of Legends of the Guard for embracing a wider variety of styles and stories than the first, but I feel like this volume went even further. A few of the stories were very short—some were only a few pages long, even—but they all stood out for being so different from one another and, for the most part, so different from the original and iconic style used by Mouse Guard creator David Petersen himself. It was a joy to be surprised at every turn, and even when a story didn’t grab us as much, the novelty of the radical change in its style of presentation usually made up for that.
My only complaint I would offer is that it’d have been nice if the interstitial material that Petersen contributed had been allowed to expand a little bit more. (I may be misremembering, but my impression was that it became more terse in Volume 2, and stayed just as brief—if not becoming more so—in Volume 3.) I honestly though that the way we got a chance to briefly glimpse the storytellers sometimes shed a different light on the tales they told, and a little more of that would have been interesting. I could spend quite a bit of time just reading a comic about mice in a pub grumbling at one another about rumors, gossip, and legends, praising and decrying each story one by one, and blustering about who was going to win the contest…. but maybe that’s just me. Of course, I can’t fault Petersen for ceding more of the pages to his contributors, and it’s probably as much out of necessity and the constraints of space as anything that Petersen kept his contributions short: after all, this was originally published in comic book form, before being reissued in the hardbacks we have.
One more thing: the collected covers in the back of all three volumes are gorgeous, but the ones in this third volume were particularly striking. My son even said, “Wow!” about a couple of them, like these examples I found online:
Oh, and while I would never disparage June’s choice of winner—she is the host of the contest, after all, and a wise and generous mouse indeed—the story that gave me the most joy was, I think, the one below… though probably part of that is that it’s about a father and son sitting together, a situation that closely mirrored the situation in which I was reading it to my own son.
Legends of the Guard is a great series. I personally still found the original Mouse Guard books more compelling—how could I not, with their continuous narrative?—but these were fun and a good mix of heroism, tenderness, weirdness, spooky sorrow, and just plain fun. They’re well worth your time.