- Lizard in a Zoot Suit by Marco Finnegan
- Samurai Cat in the Real World by Mark E. Rogers
- Jack Vance’s The Face (Demon Princes, Book 4)
- Jack Vance’s The Book of Dreams (Demon Princes, Book 5)
- Mouse Guard: Legends of the Guard, Vol. 1, by Various Artists
- Mouse Guard: Legends of the Guard, Vol. 2, by Various Artists
- Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salesses and The Anti-Racist Workshop: How to Decolonize the Creative Classroom by Felicia Rose Chavez
- Mouse Guard: Legends of the Guard, Vol. 3, by Various Artists
- Wanderhome, by Jay Dragon
- Elements of Fiction, by Walter Mosley
- Hidden Folk, by Eleanor Arnason
- The Wages of Whiteness (Revised Edition) by David R. Roediger
- The Katurran Odyssey by David Michael Wieger, illustrated by Terryl Whitlatch
- Dragons (Time Life Enchanted World)
- May We Borrow Your Husband? and Other Comedies of the Sexual Life by Graham Greene
- Winter Studies and Summer Rambles in Canada by Anna Brownell Jameson
- The Cursed Chateau by James Maliszewski, illustrated by Jez Gordon
- Stolen Focus: Why You Can’t Pay Attention—And How to Think Deeply Again by Johann Hari
- Dinotopia: A Land Apart From Time by James Gurney
- Mouse Guard: Baldwin the Brave And Other Tales by David Petersen… and a song!
- Mouse Guard: The Owlhen Caregiver and Other Tales by David Petersen
- Thieves’ World edited by Robert Lynn Asprin
- My Friend Dahmer by Derf Backderf
- Fish F*ckers by Kelvin Green
- Saga Volume 1 by Brian K Vaughan and Fiona Staples
- Scourge of the Scornlords: Meatlandia Book III by Ahimsa Kerp and Wind Lothamer
- Love is the Law by Nick Mamatas
- Harvest for Hope: A Guide to Mindful Eating by Jane Goodall
- The Graveyard Book Graphic Novel by Neil Gaiman and P. Craig Russell
- Sirenswail by Dave Mitchell
- Roman Britain by David Shotter
- Saga, Volume 2 by Brian Vaughan and Fiona Staples
- Menace Under Marswood by Sterling Lanier
- The Best We Could Do: An Illustrated Memoir by Thi Bui
- Muse Sick: a music manifesto in fifty-nine notes by Ian Brennan
- Backwoods Witchcraft: Conjure& Folk Magic From Appalachia by Jake Richards
- Dictionary of the Khazars: A Lexicon Novel by Milorad Pavić, translated by Christina Pribićević-Zorić
- Modern Jazz Voicings: Arranging for Small and Medium Ensembles by Ted Pease and Ken Pullig
- Mammoths of the Great Plains by Eleanor Arnason
- The Home Brewer’s Guide to Vintage Beer by Ron Pattison
- The Planetbreaker’s Son by Nick Mamatas
- The Collected Works of Billy the Kid: Left Handed Poems by Michael Ondaatje
- Good Talk: A Memoir in Conversations by Mira Jacob
- The Sword of Samurai Cat by Mark E. Rogers
- Calvin & Hobbes by Bill Watterson
- Vermilion by Molly Tanzer
- The Punch Line by Zzarchov Kowolski
- Embassytown by China Miéville
- Adult Children of Emotionally Immature Parents by Lindsay C. Gibson
- Gyo (Deluxe Edition) by Junji Ito
- Saga, Vols. 2–3, by Brian K. Vaughan and Fiona Staples
- Cursed Bunny by Bora Chung, translated by Anton Hur
- Smashed and Tomie by Junji Ito
- Uzumaki by Junji Ito
- The Paper Menagerie and Other Stories by Ken Liu
- Dissolving Classroom by Junji Ito
As with other posts in this series, these #booksread2022 posts go anywhere from a few weeks to a month after I’ve read them. I read this particular book back in April, though! I’ve just been busy!
I’ve recently mentioned how I introduced my son to the Mouse Guard comics via the short tales in the Legends of the Guard series. After we finished those, I noted that there were two other Mouse Guard volumes available that we didn’t already have, as well as a single issue comic from this year titled The Owlhen Caregiver and Other Tales and the Mouse Guard Alphabet book. Since our son is learning to read now, I went ahead and ordered copies of all of them.
We read Baldwin the Brave in two sittings, which wasn’t hard: it’s a collection of Free Comic Book Day micro-stories, none of them more than about eight or ten pages long. Many introduce some bit of backstory related to a major character (or artifact) from the main Mouse Guard series: some of the tales are presented as stories and songs sung to the heroes of the original Mouse Guard series during their childhoods, while another tells of a short but interesting episode in the history of the Black Axe, and one is a song that is sung to the child of one of the mice from the Mouse Guard books.
All the art below is from other reviews of the book, stuff that’s already out there in the world, but I can’t talk about these books without sharing some of the art:
Normally, I am not so cagey about details that might be considered spoilers—especially not for a book that is almost a decade old (and which collects material that was published more than a decade ago in some cases, and often was freely available online for a time)—but the thing is, part of the joy of the book is the little surprises seeded throughout it, as intense and pleasureable as fresh-picked raspberries sampled on the way home from picking. We get these brief, tiny glimpses into the childhood of various characters from the main Mouse Guard narratives, and especially, those glimpses are into the stories told to them as children that shaped the individuals they would eventually become.
Each of these stories is quite short, but masterfully drawn and paced, and absolutely appealing to a child as well as to an adult. My son loved them so much that when I finished work today, he insisted that we read the book right away. “We can eat after,” he said when I pointed out that it was dinnertime. “I want to read this first! This is the page where we stopped… come on, papa!”
I ended up singing the last piece in the book, a song, to him. I took a few moments to sketch out something close to what I sang, since it was a fun moment, though I ended up having to take some tiny liberties with the lyrics to make it work from one verse to the next. Feel free to click the link to download a PDF of the sheet music below. I don’t have a recording, and trust me, you don’t want a recording of me singing it, but if you can read music, you can try it out for yourself, below.
I’m also working on a multi-voice arrangement, in part as a fun exercise to see how much of traditional music arranging and oldtimey European four-part harmony rules I remember. (Mostly it’s just Palestrina-ish counterrpoint but the rhythms do get a bit gnarly here and here, and I envision performed more like how early music forms like motets and madrigals were performed: with each voice sung by only one singer.)
I’m pretty happy with how this arrangement sounds so far, but it’s not quite done, and I have decided to go ahead and post this rather than endlessly put off publishing this post so I can include it. I’m not sure whether—even if I could sort out a rights agreement with David Petersen—the piece would be good enough to bother publishing, but I am happy enough with it that I think it’d be fun to try get some singers to record it. (If only I knew some here… but I may be able to ask around among some old music contacts.)
Ah, if only I’d written this during the lockdowns, when there were singers galore stuck at home and bored out of their minds, huh? But we’ll see what I can swing. In any case, I’m happy to share the basic sheet music for the melody. (I didn’t put chords but I think just about any musician could harmonize it easily.)