Category: FILMS&TV

Chico and Rita (2010)

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There’s a saying that in an SF story, the science should be one of the characters. Well, that’s also true in a jazz story: in any film about music, the music needs to be so present, so powerful, that it ends up being one of the characters itself. Happily, Chico and Rita gets that right–along with a lot of other things. It’s a tragedy, of course, but a tragedy of a specific kind. You could come at it from any number of angles, and of course the film itself suggests some of them: the opening suggests the tragedy of the …

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Jim Henson Called It, I Swear He Did…

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The Muppets have been on my mind, ever since Mrs. Jiwaku started working on a painting which is, essentially, a mash-up of the Coen Brothers’ film Barton Fink with Jim Henson’s Muppet characters. And you’ll probably be wondering what The Muppets have to do with bigotry, though I swear, if you stick with it, it’ll make sense. (And no, I’m not talking about the recent Muppet movie and racial coding of characters. I’m talking about Jim Henson as a political subversive, something I talked about in my classes, but am pretty sure I haven’t posted about here before.)

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Despite All the Nostalgia for the 1980s…

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… that seems to be cropping up these days, it’s not a post-80s world we live in. It’s in the shadow of the Baby Boomer Generation that we dwell, today: their politics, their economics, their morality, their paradigm. This insight I ran across on the Ivebeenreading blog in a post about a piece elsewhere where Kent Jones “takes after Quentin Tarantino for a poorly thought-out slam of John Ford.” It’s curious that American culture and history are still so commonly viewed through a New Left prism, by means of which 1964 or thereabouts has become a Year Zero of political enlightenment; …

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Iron Man 3

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Iron Man 3 isn’t out in the US, so I suppose I should put some kind of spoiler warning on it… since we saw it this morning. (The film was released today in Vietnam.) So, consider yourself spoiler-warned: If you haven’t seen the movie, don’t read past here: bookmark it and come back when  you have seen the film. Unless you are the sort of person who doesn’t mind spoilers, that is.

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My Thoughts on Oblivion (Oh My God, It’s Full of Crap!)

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Maybe it’s seen as silly to hold on to 2001: A Space Odyssey as a high water mark for an SF movie these days, but the degree of ignorance, stupidity, and shallowness on display in Oblivion provokes such rage in my that I can’t help but compare. Be warned: here there be “spoilers” though, frankly, nothing I could do or say would spoil the movie more than the people who made it already have. But I’ll but a cut up so you need to click through to see why the film is moronic. Also, curse words. Because I am that disgusted. …

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Immigration Officer Second, Zombie Fan First.

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So Mrs. Jiwaku and I have been in Saigon a little more than a week now. A million things have been happening, but the funniest and most blog-worthy at the moment was what happened at the Immigration desk, after I got my visa stamp and just before we exited out into the airport proper to be greeted by our friends Nick and Chris. Mrs. Jiwaku went first, and the immigration officer had nothing much to say to her–he just looked at her for a moment, fiddled with her passport, and stamped it. But then I stepped forward. I happened to …

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사이코메트리 [Psychometry] — The Gifted Hands (2013)

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This entry is part 58 of 72 in the series SF in South Korea

There is now a stereotype for psychics in Korean cinema. (Assuming there wasn’t already one, that is.) Psychics are tall and pale as Snow White. They are skinny and their eyes do weird, sparkly blue things. Even if they’re from a poor background or living in poverty, they are obviously plastic-surgeried, and they look as if they belong in the back line of the photographs of a Korean boy band. Also, when they do something psychic, they look kind of crazy, and their eyes get really big too. To be fair, it’s probably as much the investors pressuring the director …

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Cloud Atlas (Updated!)

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(Note: I’ve added and update, because it turned out I had more to say.) Original Post: Just saw Cloud Atlas. I think Mrs. Jiwaku’s response is a pretty fair one: “It’s a commercial-deep movie.” Which is to say, a commercial movie can only be so deep, but this one tried for that. (So did Life of Pi, which we also saw recently, but that film failed in my opinion.) The interracial makeup… I don’t know what to say about it, really, except that I’m a bit baffled. I thought at first it was supposed to convey continuity between lives of …

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