Iron Man 3 isn’t out in the US, so I suppose I should put some kind of spoiler warning on it… since we saw it this morning. (The film was released today in Vietnam.) So, consider yourself spoiler-warned: If you haven’t seen the movie, don’t read past here: bookmark it and come back when you have seen the film. Unless you are the sort of person who doesn’t mind spoilers, that is.
Note: This is another post from last semester, when I was teaching a film class. I am not teaching now, but the thoughts seemed worth posting. (Because right now I’m too busy to write much new for the blog, but feel I should post more often than I have been.) The post is definitely not intended to be any definitive discussion, just interesting notes from a small class discussion. I had an interesting discussion in my class today about horror across the three cultures represented in my Understanding Anglophone Cultures Through Film course: Korean, Japanese, and Anglophone.(1) We watched …
I haven’t read The Hunger Games or the other books in the series, in part because I hadn’t caught much buzz but also just because I’ve been busy with other things. (The first book has been on my shelf about a year, as have many other books.) But I hadn’t heard much of the buzz, like I said, but it seemed like a potentially interesting North American, SFnal treatment of the Japanese film Battle Royale, so I thought we might as well give it a shot. When I heard there was a movie coming out — which was not long before it did come out, by …
I was invited to write a guest blog post for Apex a little while ago, and it’s now up. It’s about global SF, culture, and translation, with some attention to Korean SF and horror in the cinema, and it’s titled “On the Translation of Dreams.”
Last night, Lime and I watched a film I’d requested last semester for my Anglophone Popular Culture course, Wag the Dog (1997), and a couple of things hit me. See, the thing is, all this watching Korean SF movies and thinking in terms of the Korean adaptation of foreign genres or narratives to a Korean context has impacted how I watch American and other foreign films now, and I was asking myself how or even whether Wag the Dog could be retold in a Korean context. I haven’t seen many political films here, I’ll admit; The Host (2006) doesn’t feature …