Hwansang Teukgeup

I think I spelled that right. Tonight, Lime and I were riffing on the theme songs of TV shows we watched as kids. She recognized far more of mine than I did of hers, which is only to be expected — English-language media got aired here more than Japanese or Korean shows got aired in Canada (with the notable exception of Astroboy, and, technically, Sailor Moon, though the latter came onto TV — or returned to TV, maybe? — only when I was too cool for cartoons). Anyway, amid us singing the theme songs for the Smurfs, the Flintstones (“They …

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Love Detector Phone Test and Voight-Kampff Job Interviews

So there’s a new service available in Korea through cell phone operator KTF that will supposedly analyze voice patterns to see whether a lover is honest, attentive, passionate, or whatever. The first response most people have is one I share: yeah, right. As in, I doubt we’re quite at the point where such an analysis can reasonably be made from a single cell phone call. But that’s not such an interesting observation. I mean, someday we doubtless will be at that point. We’ll be able to analyze voice prints (and other peripheral sound, like breathing patterns, for example) and compare …

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Go, Mo-Sa, Go, Go!

I’ve spent a lot of time in the past day thinking about how my story “The Broken Pathway” needs to end. Mo-Sa, the focal character, has been coughing and sniffling rather impatiently as I’ve struggled to figure this out, and finally, looking through older drafts, and at what I did with what was once his cat, Nabi (“Butterfly”, a common name for cats in Korea, for who knows what reason) — now it’s a shabby little brown thing, an apparently stray mountain cat who leads him right to the big what-the-hell-is-that early in the story — and at one other …

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No Maps

It must be weird to be asked to talk to someone with a camera long enough to have an hour and a half of footage. I’m watching the William Gibson documentary No Maps For These Territories, and I’m struck by the difficulty of this kind of “performance.” No doubt it is a performance: sitting around and talking is different from sitting around and talking to a camera. It’s interesting in a number of ways. It certainly provides some context to Gibson’s career, especially his recent comments about SF and the comments in the documentary about the relative difficulty of imagining …

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