Category: MUSIC

Newport Jazz Festival, 1960:The Year They Called the National Guard

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You won’t catch me hating on the Newport Jazz Festival, of course! When I was a teenager, the festival on Rhode Island had a kind of magical aura of importance: on PBS I’d seen footage of Gil Evans playing there with Art Farmer: https://www.youtube.com/watch?v=nlgKLwhoVgI … and listened time and again to John Coltrane and Archie Shepp’s New Thing at Newport: … and Dizzy Gillespie’s big band recording At Newport: https://www.youtube.com/watch?v=GJF7075fvg4 … dozens and dozens of times. (Seriously, in high school, I was baffled by how everyone was into music we all knew nobody would be listening to by 2002. My jam …

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Jazz Spoken Here (Incoherently)

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Last night I dreamed I was playing in a transtemporal big band, on tenor sax. Next to me, Duke Ellington, on… trombone. (He said he took it up for the challenge, because he already knew everything he was ever gonna know about the piano. “… and the trombone’s humble.”) We were in Korea, playing a gig in Seoul sometime in the ‘oughts (we were time travelers, remember?), and I was asked to speak about my time in the country. I was honest, talking about the good and the bad, which didn’t seem to entertain the audience much; when I looked …

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A Serving of Links

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A sampling of what I’ve been digging into lately. Books: Remember Choose Your Own Adventure books? Remember how those Fighting Fantasy books by Steve Jackson & Ian Livingstone added die rolls and character information to that paradigm? Now imagine reading one and not having to flip from one page to another. Imagine one that takes advantage of all the possibilities of ebooks. Is this new version of Dave Morris’ classic Heart of Ice what you imagined?  (I haven’t read it yet, but it’s getting rave reviews, and I plan on checking it out.) R.H. Kanakia presents: a Taxonomy of Readers. I’m …

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Yes, Except…

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Note: This post was pre-written for posting long ago. I set it to autopublish later on, as I won’t be having much internet access for the next few days. I do have it, off and on, but not enough to be logging in and writing posts for the moment. I’m working on a somewhat complex series of posts that in a sense distill and clarify things I’ve been thinking about (and writing about here) lately for a while, tied to writing, writing theory and writing books, Hollywood, and modern culture in general. But that “somewhat complex” means it takes time. …

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Yes, White Cats Can Play Jazz, So Can We Talk About Something Else?

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Sometimes, the best way to figure out what an author knows about his or her subject is to find the bit of the book where the discussion is of a topic you know something about: you can usually pretty get a sense of whether the author is full of shit, or authoritative, or something else entirely. So it’s a bit discouraging that when I picked up Clive James’ Cultural Amnesia: Necessary Memories from History and the Arts and turned to the chapter on Louis Armstrong, that I found a tiny blurb about Armstrong’s life and contribution, followed by this quote: …

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Chico and Rita (2010)

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There’s a saying that in an SF story, the science should be one of the characters. Well, that’s also true in a jazz story: in any film about music, the music needs to be so present, so powerful, that it ends up being one of the characters itself. Happily, Chico and Rita gets that right–along with a lot of other things. It’s a tragedy, of course, but a tragedy of a specific kind. You could come at it from any number of angles, and of course the film itself suggests some of them: the opening suggests the tragedy of the …

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Jazz/SF Intersection: Nichelle Nichols and Duke Ellington

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It’s more often than you might expect that I find intersections between the worlds of jazz music and SF. John Coltrane read Flash Gordon and other pulps and comics as a kid, and as I discuss in that same post, Sun Ra (and several other jazz musicians) talked about life from the point of view of an alien from another world who was visiting the Earth. (Some others talked more in terms of being “trapped” on the Earth, and there, the sad root of the metaphor probably lies.) But in happier, more exciting news: my latest find, which maybe is …

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What We Talk About When We Talk About Music: Part 5 — What I Listen to When I Listen to Popular Music

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This entry is part 5 of 7 in the series What We Talk About When We Talk About Music

This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. In Part 3 of this series, I insisted that I actually do consume some of what everyone surely agrees is “popular music” by my definition of it–a hybrid form of performance art incorporating not just music but other performing arts, from theater and narrative storytelling and verse to fashion, makeup, dance, and more hyperreal narrative arts that are relatively new to the world, such as video and internet presence-management. But I also insisted that …

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What We Talk About When We Talk About Music: Part 4 — Music and Identity

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This entry is part 4 of 7 in the series What We Talk About When We Talk About Music

This post is part of a series. Since the posts build upon one another successively, I suggest you start with the first post in the series. When my family moved from Nova Scotia to Saskatchewan, I had a pretty hard time of it. Understatement of my life, but it’ll do. The move began a long period of having the shit kicked out of me, and then struggling to find a way to fit into a youth culture I didn’t really understand. I was almost certainly dealing with PTSD from all the violence; I was definitely emotionally a mess; I was …

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