Gender Iconography & Transformations in Korean Pop Culture: What Can We Learn From Japanese Women’s SF?

A lot of attention has been paid to Wonder Girls, to sexual imagery in advertising, but what about images of men an masculinity in Korean pop culture? This picture-laden post looks at both through the lens of a paper on SFnal treatments and transformations of gender in women’s SF in Japan by scholar Miri Nakamura. It’s long, it’s big, it’s one of those posts. Hence the excerpt.

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V and the Protesters

This entry is part 11 of 14 in the series Beef Protests '08

Some of the protesters have been using references to V for Vendetta during the demonstrations. Turns out Scott went up and talked to them, and asked whether they knew that V is an anarchist, or that the V sign is an inverted anarchy symbol. They didn’t. Scott thinks they’re “retards” who are guilty of “ethnocentric cultural misappropriation,” and that “they think that going to a massive anti-government demonstration is cosplay and means nothing serious in the end…” and that I’m being patronizing in excusing this. I disagree. Wanna know why?

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To All SF Geeks in Korea With [Patient or Interested] Korean Other Halves

This entry is part 5 of 72 in the series SF in South Korea

Lime posts here about, “His Books, My Books.” For the relatively Korean impaired — for whom that page will be less than useful — here’s the image from the post: You can see I got her some Debussy, because Debussy rocks, and you can’t have too much Debussy in your life. This is the guy who was asked, once, by which theoretical principles he organized his music, and, I was told by one of my professors, he replied, “My taste, of course.” Make it sound good. And make it new, I’m sure Pound would add — and make it new …

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Fovea &c.

I’m collaborating with a classmate from Clarion West (shall I out you, sir?). The working title, which my collaboratron said was a placeholder but I rather like, is “Fovea.” Yeah, I had to look it up, too. It is what looks to be my first story involving, you know, space suits, landing on a seemingly deserted planetoid, dangerous hunters in pursuit… sorta space-adventurey, really, though with all kinds of other themes and stuff bubbling beneath the surface, and I’m feeling like I ought to check out some older, spacey SF, since I read and write so little of that stuff. …

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Clarion West Laptop Theft

Ugh, this is horrible. Someone broke into the Seattle sorority house where Clarion West is going on this year, and stole four laptops, along with other random items. (Including, er, clothing?) The workshop is an intense training camp for writers of science fiction and fantasy, meaning losing their laptops means losing the very thing they were to be using daily, as well, probably, as countless notes and preparatory materials, and quite possibly their most current archive of writings. It’s sounds like quite an ordeal. You can read reports from the ground here and here. The both posts include a contact …

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Fleeting Update

Let’s see: Personal Stuff Lime got a job today! Short term (till mid-September), but she wanted that, while she studies for the Neverending Huge Giant Evil Big-Boss (for you arcade game fans out there) Exam. For two months she’ll be working part-time in a hospital near our home. We’re going to Hong Kong next week. Just for a few days, because Lime won’t be able to travel the rest of the summer. I’m bringing my computer and writing on the plane, and for at least an hour a day. But travel is still travel, right? Theere’s a Korean expression I …

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Fan Mail

I got fan mail today. Perhaps my first piece of Fan Mail ever.(1) It was about “Lester Young…” What a very nice feeling. It made my day. But now I should clear off my desk and grade some essays and exams. With a big grin on my face. 1. I’m not counting comments on the site here, because, although that also makes me happy and is appreciated, comments are not “mail.” I’m not counting emails from reviewers because, while reviewers can be fans, they’re not, er, “civilians” in the way I think of when I think of fans. I’m not …

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K-Raelians plus The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World by Thomas M. Disch, and The Men Who Stare At Goats by Jon Ronson

This entry is part 4 of 72 in the series SF in South Korea

As part of my continuing adventures in figuring out what I want to say in my paper on SF cinema in Korea, this post discusses Raelianism in Korea whilst working through a review of two books on SF and their effects on the world. I’ve just finished reading Jon Ronson’s The Men Who Stare At Goats, kindly recommended to me by my friend and recent WOTF prizewinner, the lovely and talented Ian McHugh. It goes so well with The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World by Thomas M. Disch — which I finished reading …

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Why SF Has Failed to Put Down Roots in Korea, Part I: To Start With, Questions…

This entry is part 3 of 72 in the series SF in South Korea

I had a post I was going to write, about fantasy, SF, and the demonstrations going on in Seoul these days, but I decided to pitch it as an article idea. The editor to whom I pitched it liked the concept, so I’m binning that post to keep the juice for my article. That leaves me with two things to write this summer about SF and Korea. The article on the protests is a theme I’m putting off limits, but the paper on the general failure of the SF genre to take root in Korea in  is something I can, …

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I Am Not the Only Asimov’s SF Subscriber in South Korea!

Today the most surprising thing happened! I’m ending off my Anglophone Popular Cultures course with a discussion of SF and its role in (and effect on) Western popular culture. Last week, we watched Blade Runner and there was a panel discussion on The Fifth Element and Brazil. Today, my lecture focused on getting students not to think of SF as an attempt to literally depict the future, and instead to focus on the symbolism or metonymy in SF. (For example, working off Thomas Disch’s wonderful statement, “The car is the hidden meaning of the rocket ship.” (Rough paraphrase, but he …

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