초능력자

This entry is part 41 of 72 in the series SF in South Korea

Tonight I saw 초능력자 (Choneungryeokja, which you could translate as “Psychic” or “Person with Supernatural Powers”1) with Miss Jiwaku, and I have to say that it actually pretty much was what one of my students described: …pretty good for the first hour or so, and then ramps up an exponential curve of silliness until it hits infinite silliness at the end. That said, the film seems to have been received rather well by the Korean public, and some people are praising it. My experience is that films that are very highly praised in Korea are sometimes good, but often don’t …

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Coming Soon: Gwacheon International SF Film Festival!

This entry is part 40 of 72 in the series SF in South Korea

So I should have posted about this before, but there’s an SF Film Festival on soon. It’s starting in a few days (28 October) and runs until 7 November, down at the National Science Museum in Gwacheon, South Korea. There’s a twitter account that’s announcing events and so on, but unless you read Korean, it won’t mean much to you. Much better to head over to the website. It’s a chance to see all kinds of SF films on the big screen, from 2001: A Space Odyssey (and the sequel) to an all-night Back to the Future trilogy marathon this …

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Addendum #2 to [Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 39 of 72 in the series SF in South Korea

Note: This is an addendum to this original post, and to the first addendum I posted the other day. Some of the discussion that has cropped up in the responses to the earlier post and addendum to which this is appended (and which I want to address) is concerned with the “colonialism” or “imperialism” of the status I suggested American mainstream non-SF media have for average Korean viewers. That is to say, questions were raised as to whether this non-SF having a kind of pseudo-SFnal, utopian quality — in that it depicts a world not only radically different, but also …

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Addendum to [Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 38 of 72 in the series SF in South Korea

Over at the Livejournal mirror of this site, I was asked, just now, to clarify something about my last post, titled “[Literary] SF: A Social Phenomenon (Plus Some Detours),” why in the point I called Access I placed so much emphasis on foreign works in translation. I thought I would clarify that, as well as adding a point or two from the recent paper I presented at WorldCon. Note: I suggest you click that link, and see the original post first, before reading what follows. First: I emphasize foreign works in translation as an important part of “Access” to SF …

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[Literary] SF: A Social Phenomenon (Plus Some Detours)

This entry is part 37 of 72 in the series SF in South Korea

So, I recently recounted my observation that SF is a social phenomenon, which was (though somewhat buried) basically the point of a recent presentation I made. I was thinking about this fact when I had a sudden realization, or what felt like one, anyway. It had to do with being asked what attracted me personally, to SF, but I noted that I was an unusual case, since I came to the genre as an adult. (That is, if we take SF to mean science fiction. If we consider SF in the sense of “speculative” fiction, ie. including fantasy and horror …

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