7광구 (Sector 7) — Setting Korean SF Back Decades

This entry is part 46 of 72 in the series SF in South Korea

If you want the short version of my reaction: skip this movie, pretend it was never made, save yourself some money and some disappointment — that is, if you have a half a brain and actually like SF. Sector 7 is shot amateurishly, it is badly acted by almost the whole cast — and since at least some of the cast can act, I suspect it’s badly edited and badly directed; the budget was mostly used creating CG for a rather unimaginative monster; it was derivative of The Host (괴물), the Alien series (especially Aliens; it was badly written; it had …

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천군 (Heaven’s Soldiers) revisited: Hanmura Ryō’s Sengoku Jieitai (戦国自衛隊), 독재자 (Dictator), and more Korean SF News

This entry is part 45 of 72 in the series SF in South Korea

Long ago, I posted briefly about the monstrosity that is Heaven’s Soldiers (천군) a while back (and discussed it in an interview, too), but this is a point that is sure to interest those who, like me, have no access to Korean SF except through film and that small cache of English translations online linked in my sidebar (okay, here you go). As you may recall, Heaven’s Soldiers is a South Korean SF film about North and South Korean soldiers cooperating on the construction of nuclear weapons with which to apparently meet the threat of foreign hegemonic domination or invasion or …

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Vampires, Confucianism, Christianity’s Latent Monarchism, and the Translation of Sociohorror

Seriously, now...
This entry is part 44 of 72 in the series SF in South Korea

(Note: I’m filing this under Korean SF, though it only fits there if we define SF as “speculative fiction”: still, I think this post does appeal to a crucial question at the heart of the reception of SF and other fantastical genres in cultures foreign to the culture of a given work’s original production. So there.) So I’ll admit it now: I’ve been watching True Blood. Yes, yes, it’s trashy. But as someone who is not very plot-minded, I have to say, it does a particular trick with a knife that I, too, am learning to do. I’m close to …

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Forthcoming Papers on Korean SF, “Good Night,” and a Summary of “Another Undiscovered Country”

This entry is part 43 of 72 in the series SF in South Korea

Well, I have submitted the final corrected version of my paper on Korean SF films in the 21st century to Acta Koreana: it’s been approved for publication, pending those edits, so I figure that’s one more paper in the can, to bring my current total of pending academic publications to two: “Politics, Ecology on the Korean Left: Anti-Americanism and Environmental Dystopia in The Host” supposedly forthcoming in the Arena Journal. “Another Undiscovered Country: Culture and the Reception and Adoption of the Science Fiction Genre in 21st-Century South Korean Cinema,” which if all goes well should be appearing in Acta Koreana sometime …

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More About Korean SF, and Some Dougal Dixon Links

This entry is part 42 of 72 in the series SF in South Korea

You might think that I’ve given up on the topic, but I haven’t. In fact, I’ve been working on a few papers on the subject. I don’t know if they’ll ever see the light of day, but I’m sending them out, slowly. In the meantime, I’ve had a few discussions with Anselmo Quemot, a blogger over at Acheron LV-426. You can see the discussions in the comment threads to these two posts: Placing the Future in South Korea? An open letter to Gord Sellar about South Korean sci fi Acheron LV-426 is full of other interesting stuff, too; it was …

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