Jazz/SF Intersection: Nichelle Nichols and Duke Ellington

It’s more often than you might expect that I find intersections between the worlds of jazz music and SF. John Coltrane read Flash Gordon and other pulps and comics as a kid, and as I discuss in that same post, Sun Ra (and several other jazz musicians) talked about life from the point of view of an alien from another world who was visiting the Earth. (Some others talked more in terms of being “trapped” on the Earth, and there, the sad root of the metaphor probably lies.) But in happier, more exciting news: my latest find, which maybe is …

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Rilke vs. Resnick & Malzberg, or, No, It’s Not Just a Dinosaur Thing…

You know, I’ve been trying for a few days to figure out a way of saying something useful about the Resnick/Malzberg/SFWA thing that’s the talk of the ghetto these days. The thing is, it’s all obvious. What E. Catherine Tobler Said, basically. Others have said useful things too. Jim Hines has compiled many links. Or this is also a good run-down of things, if you prefer. My thoughts? Actually, my reaction is much like Benjamin Rosenbaum‘s, but I prefer to share what me wife said to me when I brought the situation up to her, because she pretty much nailed what’s …

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Delany on “Talented Writing”

Marc Laidlaw recently shared a link on Facebook to a post on “Good Writing vs. Talented Writing”over on Brainpickings featuring some ideas by Samuel Delany. Essentially, Delany draws a line between “good writing” and superior “talented writing”: The talented writer often uses specifics and avoids generalities — generalities that his or her specifics suggest. Because they are suggested, rather than stated, they may register with the reader far more forcefully than if they were articulated. Using specifics to imply generalities — whether they are general emotions we all know or ideas we have all vaguely sensed —is dramatic writing. A trickier proposition …

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My Thoughts on Oblivion (Oh My God, It’s Full of Crap!)

Maybe it’s seen as silly to hold on to 2001: A Space Odyssey as a high water mark for an SF movie these days, but the degree of ignorance, stupidity, and shallowness on display in Oblivion provokes such rage in my that I can’t help but compare. Be warned: here there be “spoilers” though, frankly, nothing I could do or say would spoil the movie more than the people who made it already have. But I’ll but a cut up so you need to click through to see why the film is moronic. Also, curse words. Because I am that disgusted. …

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Immigration Officer Second, Zombie Fan First.

So Mrs. Jiwaku and I have been in Saigon a little more than a week now. A million things have been happening, but the funniest and most blog-worthy at the moment was what happened at the Immigration desk, after I got my visa stamp and just before we exited out into the airport proper to be greeted by our friends Nick and Chris. Mrs. Jiwaku went first, and the immigration officer had nothing much to say to her–he just looked at her for a moment, fiddled with her passport, and stamped it. But then I stepped forward. I happened to …

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In Sydney? Watch Our Movie!

For those readers in Sydney, the Australian premiere of “The Music of Jo Hyeja” is at Syndney’s genre film festival, Fantastic Planet. It screens at 3pm on the 14th of April, as part of the H.P. Lovecraft vs. Stephen King shorts program. They even used a still shot from “Jo Hyeja” for the webpage for that session of the festival! (Get your tickets here.) Wish we could be there… but we’re working on other projects down here in Saigon!

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Korea in English-Language SF

This entry is part 60 of 72 in the series SF in South Korea

Over at Gusts of Popular Feeling, everyone’s favorite archives-trawler Matt has a post about about “the first SF story involving Korea” and a few other such tales from the Galaxy/Amazing Stories era. I’ve left a comment clarifying that “the first SF story” should be qualified as “the first English-language SF story” and also noting that depending on how you define “SF,” one might consider Jack London’s Star Rover the first in the English language. As for the first Korean-language SF story, I don’t know what it was, though I’d argue that the amount of remixing that seems to have gone …

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Horror and Culture: Anglo/American, Korean, and Japanese Perspectives

Note: This is another post from last semester, when I was teaching a film class. I am not teaching now, but the thoughts seemed worth posting. (Because right now I’m too busy to write much new for the blog, but feel I should post more often than I have been.) The post is definitely not intended to be any definitive discussion, just interesting notes from a small class discussion.   I had an interesting discussion in my class today about horror across the three cultures represented in my Understanding Anglophone Cultures Through Film course: Korean, Japanese, and Anglophone.(1) We watched …

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Seoul Comics World Convention #114 (December 2012)

This entry is part 59 of 72 in the series SF in South Korea

Note: This is a post from late December. I was too busy to finish writing it, so I’m posting it a bit late.  Those following my SF in South Korea series have no doubt been wondering why I haven’t posted anything new in a long time. The fact is, not much has happened as far as I’ve heard about. I do have some reviews of older SF movies that Miss Jiwaku and I have dug into–specifically, Half-Moon Mask (Mask Bandal) and Wooraemae–but I’d rather talk about those once I’ve seen the whole series, and in both cases, that’s a lot of …

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Launch Pad Workshop Opens for Applications

I was swamped back in February, so I forgot to post about the application deadline for Clarion West, which was a couple of weeks ago, but for those who are working in a creative capacity–not just as a writer, mind you–the Launch Pad workshop is open for applications. Basically, it’s a crash course in astronomy designed for people who could use some training in the area to better handle related subjects in their creative work. In my class, we had mostly fiction authors (and not all of them exclusively writers of SF), but also a science comedy team. Screenwriters, film …

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