블라인드 Blind, Part 2: Some Notes on Depicting the Physically Challenged

The other day, I posted my thoughts on the newly-released Korean film 블라인드 (Blind). I thought I’d follow up with some thoughts on the depiction of physically handicapped people, for anyone who’d like to be reminded of the lessons of which I was reminded by the films missteps. A lot of this is not just applicable to depicting people with physical disabilities, but also to depicting people of any group about which one does not know intimately, or which experiences the world in a way different from oneself (through the lens of another gender or sexual orientation, a different race or …

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블라인드 Blind, Part 1: A Review

Miss Jiwaku and I saw the new Korean film Blind tonight (the title is the same in Korean: 블라인드), and I have to say, as long as you don’t know anything about blind people, it’s a pretty good film — a tightly plotted thriller with a shadowy bad guy and a surprisingly sympathetic pair of protagonists-in-peril. (I was especially shocked not to hate the boy-band-ish teenage food delivery scooter boy, at least after he wises up and stops being a petulant little prick.) It was a bit overly-sentimentalizing, but not bad. (Not SFnal, though the CGI in it, which is …

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Some Notes For Korean Film Companies Considering an SF Film Project

This entry is part 47 of 72 in the series SF in South Korea

After the debacle that is 7광구, which I discussed here, I figured I might write up a few suggestions for Korean film companies considering undertaking an SF project. After all, I’m someone who has studied Korean SF films carefully, picked out their pitfalls and how and why they failed — either domestically, or internationally — and I have a few thoughts based on my own frustration with the way Korean SF film has gone, and is going. I think there are a few very simple things that production companies in Korea need to realize, if they want to start putting …

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7광구 (Sector 7) — Setting Korean SF Back Decades

This entry is part 46 of 72 in the series SF in South Korea

If you want the short version of my reaction: skip this movie, pretend it was never made, save yourself some money and some disappointment — that is, if you have a half a brain and actually like SF. Sector 7 is shot amateurishly, it is badly acted by almost the whole cast — and since at least some of the cast can act, I suspect it’s badly edited and badly directed; the budget was mostly used creating CG for a rather unimaginative monster; it was derivative of The Host (괴물), the Alien series (especially Aliens; it was badly written; it had …

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